Dessins, aquarelles et pastels

École flamande de la fin du XVIIe siècle La Naissance de la Vierge Plume et encre, lavis gris et rehauts de gouache blanche (Rousseurs.) Haut. : 25,5 cm ; Larg. : 21,5 cm (cintrée dans sa partie supérieure) Provenance : ancienne collection Sachetelen (cachet en bas à droite, 2.2332) Expert : Cabinet DE BAYSER

FRANÇOIS VERDIER (PARIS 1651-1730) - FEMME EN GENUFLEXION - Sanguine, rehauts de craie blanche - En feuille rectangulaire aux bords inégaux - (Manques dans les bords inférieurs et restaurations dans les angles supérieurs) - Porte une inscription en haut à gauche ‘Vien’ - François Verdier, kneeling woman, sanguine and white chalk on a rectangular paper, «Vien» inscription in the upper left corner. - 23 x 16,30 cm - 9,1 x 6,4 in. -

ÉCOLE FRANÇAISE 1868 - ÉTUDE POUR UN PLAFOND, FEMME EN BUSTE A LA COIFFURE CLASSIQUE - Crayon noir sur une fine toile préparée grise - Signature illisible en bas à droite et daté 1868 - Au dos, ancienne incription «Premier grand prix des Beaux-Arts à Paris en 1854 - Hommes célebres de Franche Comté» - 1868 French School, Study for a ceiling, woman with a classic hairdo, pencil, illegible signature lower right - 38,50 x 29 cm - 15,2 x 11,4 in. -

ÉCOLE FRANCAISE DU XIXe SIÈCLE, SUIVEUR D’HENRI-JOSEPH VAN BLARENBERGHE - REVUE DANS LA PLAINE DES SABLONS - Lavis d’encre - 19th century French school, foll. of H. J. Van Blarenberghe, Review in the plain of Sablons, ink wash - 17,50 x 24 cm - 6,9 x 9,4 in. -

ATTRIBUÉ À HUBERT ROBERT (1733-1808) - FEMME ET ENFANTS PRES D’UNE FONTAINE ANTIQUE - Pierre noire et graphite sur papier vergé. - Cachet (Lugt 4074, marque non identifiée) et n°99 en haut à gauche - Trait d’encadrement à l’encre brune - Attr. to H. Robert, Woman and children near an antique fountain, black chalk and graphite on laid paper, stamp (Lugt 4074, unidentified mark) and n°99 on the upper left, framing line in brown ink - 31 x 24 cm - 12,2 x 9,4 in. - Provenance - Ancienne vente Me Étienne Ader, lot no 13

GIOVANNI BATTISTA BEINASCHI (FOSSANO 1636-NAPLES 1688) - LE JUGEMENT DE SALOMON - Crayon noir, plume et encre brune, lavis brun et rehauts de gouache blanche, traces de sanguine sur papier beige - Sur deux feuilles jointes, accidents sur les bords, pliures et petits manques sur les coins - The Judgment of Solomon, black pencil, pen and brown ink, brown wash and white gouache highlights, traces of sanguine on beige paper, on two joined sheets, accidents on the edges, folds and small lacks on angles - 43,3 x 56,7 cm - 17 x 22,3 in. -

THEODORE GUDIN (PARIS 1802-BOULOGNE-BILLANCOURT 1880) - PORTRAIT PRESUME DE MARIE D’AGOULT - Crayon - Signé ‘T. Gudin’ et daté 1838, en bas à gauche - Presummed portrait of Marie d’Agoult, pencil, signed and dated lower left : «T.Gudin/1838» - 28,50 x 22,50 cm - 11,2 x 8,9 in. -

FRANÇOIS HIPOLLYTE LALAISSE (1810-1884) - COMBAT DE CAVALIERS ORIENTAUX - Dessin à l’encre et lavis noir et brun sur papier. Cachet de la signature en bas à droite (Répertoire des catalogues de ventes publiques, intéressant l’art ou la curiosité, tableaux, dessins, estampes, miniatures, sculptures, bronzes, émaux, vitraux, tapisseries, céramiques, objets d’art, meubles, antiquités, monnaies médailles, camées, intailles, armes, instruments, curiosite´s naturelles, etc., par Frits Lugt n° 4728). - Arab warriors fighting, ink and lavish on paper, stamp of the signature lower right - 34,5 X 22,5 cm - 13 9/16 X 8 7/8 in. - Un certificat de Madame Annie Martinez Prouté (galerie Prouté, Paris), en date du 18 décembre 2015, sera remis à l’acquéreur.

JACQUES PHILIPPE CARESME (1734-1796) - BACCHANALES - Paire d’aquarelles sur traits de crayon - Signées en bas à gauche : ph.Caresm (rehaussée) et à droite : ph Caresme fecit - Restaurations - Bacchanals, pair of watercolors over pencil lines. Signed lower left for one: ph. Caresm (enhanced) and on the right for the other: ph Caresme fecit. Restorations - 18 x 23 cm - 7,1 x 9,1 in. - La paire :

JULES BOILLY (PARIS, 1796-1874) - PORTRAIT DU COMTE ROGER, GRAND ECUYER DE FRANCE - Crayon noir, estompe, craie blanche et pastel bleu. - Signé à droite ‘Jules Boilly’ - Porte une inscription au revers «Le comte Roger, père de Florentine de Lannoy, dernier grand Écuyer de France à Froschdorf, auprès de S.A.R. le comte de Chambord après avoir été chef de la Maison (...) des Rois Louis XVIII.» - Ancienne étiquette en bas à droite du passe-partout ‘97’ ainsi qu’une ancienne étiquette au revers ‘5596’ - Dans son cadre d’origine, en bois et stuc doré, à palmettes. - A vue ovale : - Portrait of the count Roger, horseman of France, black sharp, white sharp and blue pastel, signed lower right «Jules Boilly», original frame - 21 x 16 cm - 8,3 x 6,3 IN -

EMMANUEL GRAMMONT (1862-?) - MILITAIRES GERMANIQUES - Paire d’aquarelles et plume à l’encre noire - Signées ‘E. Grammont’ - Petites taches et mouillures - Germanic military men, pair of watercolors and black ink, signed, waterstains - 38 x 46 cm - 15 x 18,1 in. - La paire :

JEAN-LÉON GÉRÔME (VESOUL 1824-PARIS 1904) - ÉTUDE POUR UNE NAPOLITAINE - Crayon - Signé ‘JL. Gérome’ à droite droite - Study for a Neapolitan, pencil, signed lower right - 29 x 18,30 cm - 11,4 x 7,2 in. -

PAUL FLANDRIN (1811-1902) - ÉTUDES DE FIGURES CLASSIQUES, DRAPERIES ET ARCHITECTURES - Lot de quinze dessins dont : Philosophe en buste signé Paul Flandrin ; d’après l’Annonciation de Giotto daté de juin 1935 ; Projet pour un temple grec sur papier-calque ; d’après Luca Signorelli à Orvieto daté du 1er juin 35 ; Projet pour un décor de théâtre à l’aquarelle ; Étude de chien couché signé Paul Flandrin - Studies of classical figures, draperies and architectures, lot of 15 drawings including study of a lying dog signed P. Flandrin - PROVENANCE - Resté dans la descendance de l’artiste jusqu’à ce jour

ÉCOLE FRANÇAISE VERS 1859 - SCENE DE LA SECONDE GUERRE D’INDEPENDANCE D’ITALIE EN 1859 - Encre brune sur traits de crayon noir, avec mise au carreau. - French school circa 1859, Scene of the 2nd Independence war - of Italy in 1859, brown ink and pencil - 25,50 x 60 cm - 10 x 23,6 in. - Il s’agit de la guerre entreprise par Napoléon III allié à la Sardaigne, contre l’Empire d’Autriche.

ÉCOLE FRANÇAISE VERS 1860 - NAPOLEON A CHEVAL ENTOURE DE LA GARDE IMPERIALE - Esquisse - Toile - French school circa 1860, Napoleon ridding a horse surrounded by his guard, sketch on canvas - 46 x 33,50 cm - 18,1 x 13,2 in. -

Self-Portrait by Sir William Orpen (born Stillorgan, County Dublin 1878 – died London 1931) William Orpen as a drunk with text: “I have given up drink!” Undated, pen and black ink on paper Size: 113 x 176 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Illustrated Letter by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) With a fine ink drawing, titeled “The Irish Pig Dance”. Text on both side and an extra small drawing of a town view with a carriage end some peasants. Text starts with: “… I visited Peren(?) Young this morning and spended much money on paint... (or least owed it)..”. Signed below with ‘Orpen’. Undated, pen and black ink on paper Size: 229 x 138 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Cheque for SIR WILLIAM ORPEN (born Stillorgan, County Dublin 1878 – died London 1931) Cheque of the London & Westminster Bank ltd, South Kensington Branche from 8th of September 1903, with written text “Pay to William Orpen, Twenty Pounds only”, and cancelled with the purple Lothbury stamp. A very rare piece of history. Size: 82 x 200 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Drawing by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) With written text: “Herbé Of Bottany Bay” Pen and brown ink on paper. Unsigned and undated. Size: 252 x 186 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Illustrated Letter by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) Illustrated letter by William Orpen with a pencil drawing of a running boy with a letter in his hand. Writing text starts with: “my dear Everew(?), may now forgive me we had new short envelopes and I could not send them from Bantz till yesterday evening, so I will run and post this now dangerous path through …(?). Your Orpen..” Signed below ‘Orpen’, but undated, pencil on paper Size: 177 x 232 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Illustrated Letter by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) With written text: “Moving The Gipsy Van” Pen and brown ink on paper. Unsigned and undated. Size: 252 x 197 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Drawing by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) With written text: “Daddy Out Painting” Pen and brown ink on paper. Unsigned and undated. Size: 220 x 274 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Drawing by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) With written text: “Papa In The Near Future” Pen and brown ink on paper. Unsigned and undated. Size: 222 x 272 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Drawing by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) With written text: “The Wintery Winds Of London - The Could Forms Are Splendid” Ink drawing with William Orpen as a young man with head and blanked around his shoulder standing in a city (London ?), thinking about naked woman. Pen and brown ink on paper. Unsigned and undated Size: 270 x 210 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Illustrated Letter by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) Ink and pencil drawing of a man walking on golden coins. The letter is dated ‘12 December 1903’ and written text says: “...I have now for a photograph of my picture…”. The letter is signed: William O(rpen) Size: 228 x 154 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Drawing by Sir William Orpen (KBE, RA, RHA) Drawing by William Orpen With text: “And Go To Talk” Pencil on paper. Unsigned and undated Size: 229 x 193 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Drawing by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) With written text: ”The Newcombes” Pencil and black ink on paper. Unsigned and undated Size: 228 x 193 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Drawing by Sir William Orpen (KBE, RA, RHA) (born Stillorgan, County Dublin 1878 – died London 1931) With written text: ”This Manchester child has nearly killed me” Pen and black ink on paper. Unsigned and undated Seize: 176 x 225 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Handwritten Letter by Sir William Orpen (Attributed) (born Stillorgan, County Dublin 1878 – died London 1931) Text starts: “…I have forgotten what Caister old (?) is like just where it stands. If that old place I have in mind is the one it is very nice…” Size: 172 x 251 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Handwritten Letter by Sir William Orpen (Attributed) (born Stillorgan, County Dublin 1878 – died London 1931) Text starts: “.. do I get off at Swansthorpe(?) or Frowse(?) or where? Let me knows. I was indeed concerned about the….” And “…Hear from Archie that he’s got an enlarged ewer …(?) should be very much suprized if this ewer weighed anything under 100 pounds. Size: 162 x 148 mm PROVENANCE The letters and drawings by Sir William Orpen, offered in lot 185 to lot 199, were owned by Ronnie Wood (Rolling Stone guitarist). He bought this collection in the 2000’s at Christie’s London.

Louis Mathieu VERDILHAN (1875-1928) Femme à la lecture, encre sur papier. Dimensions à vue : 20 x 36 cm.

GEN PAUL (1895-1975) La plage, crayon de couleur et pastel sur papier, signée en haut à gauche et localisée Genève. Dimensions : 22.5 x 30.5 cm.

Robert COMBAS (né en 1957) (dans le goût de) Personnage, dessin au marqueur noir sur papier, signé en haut à droite. XXe siècle. Dimensions : 30 x 23,5 cm.

Vittorio Matteo CORCOS (1859-1933) Bord de rivage, fusain sur papier, signé en bas à droite . Dimensions à vue : 25 x 39 cm à vue.

Ernst GRANER (1865-1943) L'église votive de Vienne, gouache sur papier, signée en bas à droite et datée "19". Dimensions : 38 x 29 cm.

Paire de gravures dans des médaillons en cuivre à décor de rubans tressés. Fin du XIXe siècle. Hauteur à vue : 5 cm ; Hauteur du deuxième : 6,5 cm.

Christian BURDET (1957). Paysage enneigé, aquarelle sur papier, signé en bas à droite. Encadré sous verre. Dimensions à vue: 24x34cm.

École française, dans le goût du XVIème siècle. Réunion de trois portraits dont Catherine de Médicis, crayons sur papier, titrés en haut à droite. Encadrés sous verre. Dimensions à vue: 16x10cm, 11x13.5cm et 15x13cm. Quelques rousseurs.

Arsène CHABANIAN (Erzurum 1864 - Paris 1949) Paysage représentant un clair de lune, pastel sur papier, signé en bas à droite (A.Chabanian?). Encadré sous verre. Dimensions à vue: 63.5x52.5cm.

Dirk WIGGERS (1866-1933) Château et village sur une colline Dessin au fusain et pastel, signé en bas à droite. 36 x 60 cm.

D'après Pierre Paul RUBENS (1577-1640)* Profil d'Henri IV Aquatinte couleurs en ovale par Janinet, 1777. XVIIIe siècle. Dim. à vue : 39 x 30 cm.

ÉCOLE FRANÇAISE DU DÉBUT DU XIXe SIÈCLE* Portrait du roi Henri IV en tondo avec ornements animaliers Plume et encre brune. 48 x 37 cm. (Insolé, taches et nombreuses épidermures).

D'après Olivier Charles de PENNE (1831-1897)* Meutes Deux gravures couleurs en pendant. 55 x 40 cm.

Hippolyte GIDE (1852-1921)* Chiens à l'affût - Chiens au rapport Deux aquarelles gouachées, signées en bas à droite, formant pendant. 38 x 54 cm.

KSE 974. "Composition". Encre sur papier, montée sous passe-partout blanc et cadre noir en bois. Dim. cadre : 95 x 35 cm ; sujet : 68 x 20 cm.

NEFAZ. "Calligraphie". Encre de Chine sur papier, signée au coin infér. gauche, montée sous cadre en bois. Dim. cadre : 18 x 27,5 cm ; sujet : 13 x 23 cm.

RCF1. "Paris" (2017). Encre sur papier, datée, signée au coin infér. gauche, montée sous cadre noir en bois. Dim. cadre : 32,7 x 32,7 cm ; sujet : 29 x 29 cm.

TARANTINO (Gaëtan). "Universal Cosmic". Encre de Chine sur papier, titrée et signée au dos, montée sous passe-partout blanc et cadre noir en bois. Dim. cadre : 63 x 83 cm ; sujet : 48 x 64 cm.