121. Statuette en porcelaine de Meissen représentant Arlequin effrayé, milieu du XVIIIe siècle A Meissen figure of the frightened Harlequin, mid 18th century Modelled by J.J. Kaendler, wearing a white hat with red rosette, ruff collar, tunic with purple-edged panels of white, green and yellow, and lavender and yellow trousers, red rosettes on the white shoes, the base applied with leaves and flowers, 16.7cm high (figure restuck to tree-stump support, some restoration and retouching of enamels) Provenance Anon. sale, Christie's Geneva, 30 April 1975, lot 141 Another example of this figure is in the Pauls Collection, Basel (published by Menzhausen/Karpinski 1993, p.279. Another example most recently in the Barilla Collection was sold at Sotheby's in London, 14 March 2012, lot 119. Other examples are scattered in museums around the world, one example is in the Metropolitan Museum of Arts in New York (1982.60.308), and a complete listing of the other models can be found in Sarah-Katharina Andres-Acevedo, Die autonomen figürlichen Plastiken Johann Joachim Kaendlers und seiner Werkstatt zwischen 1731-1748, Vol II, p. 147, no 401. For a further discussion on the ten large Meissen harlequin figures modelled by Johann Joachim Kaendler see: Meredith Chilton, Harlequin Unmasked, the Commedia dell'Arte and Porcelain Sculpture, p. 296ff. Here the author notes that Kaendler modelled ten large harlequins between 1738-41. Although they were never listed together by Kaendler in his records, and may not have been conceived as a series, their commonality of subject size, and strenght of expression have led them to be grouped together Some of the Harlequins in this informal group are listed in Kaendler's Taxa of models made between 1740 and 1748, with the last reference in the list of figures made before 1746. Others appear in his Arbeitsberichte (monthly work notes)