(1930). QUINCEY (Thomas de). L'ASSASSINAT CONSIDERE COMME UN DES BEAUX-ARTS. New translation by Maurice Beerblack. Paris, éditions Eos, 1930. In-4° leaves in publisher's decorated folder and slipcase. An astonishing decadent apology in which cerebral people develop a modern aesthetic critique of murder. It is illustrated with 24 beautiful etchings by GUS BOFA. Edition strictly limited to 130 copies, this one of 100 on velin de Rives containing a second state suite with remarks on Rives in the publisher's decorated slipcase.