22. 22AR MAN RAY (1890-1976) Revolving doors, 1926 [Anselmino, 18] Complete suite of 10 stencil prints on wove paper, presented in a black cardboard portfolio. Signed and numbered 93 in pencil (from an edition of 105) on the justification page; printed REVOLVING DOORS, MAN RAY, 1916-1917, 10 PLANCHES, the name of the publisher ÉDITIONS SURRÉALISTES and the date of publication PARIS 1926 on a label affixed to the cover of the portfolio, as well as on the colophon, which includes the titles of the 10 Revolving Doors: I. MIME, II. LONGUE DISTANCE, III. ORCHESTRA, IV. THE MEETING, V. LEGEND, VI. DECANTER, VII. YOUNG GIRL, VIII. SHADOW, IX. CONCRETE MIXER, X. DRAGONFLY. Each plate is printed with the Roman numerals of the series. Published in 1926 by Éditions Surréalistes, Paris, in an edition of 105 copies. Complete suite of 10 pochoir prints on wove paper, presented in a black cardboard portfolio. Signed and numbered 93 in pencil (from an edition of 105 examples) on the justification page; printed REVOLVING DOORS, MAN RAY, 1916-1917, 10 PLANCHES, the publisher's name ÉDITIONS SURRÉALISTES and the date of publication PARIS 1926 on a label affixed to the cover of the portfolio, as well as on the colophon, which includes the titles of the 10 Revolving Doors: I. MIME, II. LONG DISTANCE, III. ORCHESTRA, IV. THE MEETING, V. LEGEND, VI. DECANTER, VII. YOUNG GIRL, VIII. SHADOWS, IX. CONCRETE MIXER, X. DRAGONFLY. Each plate printed with its Roman numerals of the series. Published in 1926 by Éditions Surréalistes, Paris, in an edition of 105 examples. Portfolio: 56.8 x 38.7 cm (22 3/8 x 15 1/4 in.) Feuille / sheet: 56 x 38 cm. (22 1/16 x 14 15/16 in.) Colophon: 21 x 27 cm (8 1/4 x 10 5/8 in.) Andrew Strauss and Timothy Baum of the Man Ray Appraisal Committee have confirmed the authenticity of this work. Provenance Collection of the Louis Broder Library. Private collection, France (acquired from the latter circa 2000).