Austrian Postwar Martha Jungwirth o.T. (Red Woman). 2006. Colour serigraph and colour lithograph on firm wove paper. 47.8 x 79.8 cm. Signed, numbered and inscribed "E.A.". - The lower right corner with barely noticeable bumping and minimally creased. Very good overall. Splendid and exceptionally colour-intensive impression of the full-format depiction, realising painterly values. One of only 15 copies "épreuve d'artiste". - The Viennese painter Martha Jungwirth is one of the most important artists of the present day. For many decades, she has characterised the contemporary art scene with expressive paintings that oscillate between abstraction and figuration. - Martha Jungwirth's unmistakable signature style is also evident in the present work: Her painting is characterised by the gestural application of paint, spontaneous, physical movement and an open approach to the pictorial space, which is not understood as a closed background but as a living field of painterly settings. The result is an exciting interplay of figuration and abstraction that makes the emotional immediacy of her work impressively tangible. Colour serigraph and colour lithograph on strong wove paper. Signed, numbered and inscribed "E.A.". - The lower right corner barely noticeably bumped and minimally creased. Very good overall. Splendid and exceptionally colour-intense as well as picturesque impression of the format filling depiction. - One of only 15 copies "épreuve d'artiste". - The Viennese painter Martha Jungwirth is one of the most important artists of our time. For many decades, she has characterised the contemporary art scene with expressive paintings that oscillate between abstraction and figuration. - This work, too, displays Martha Jungwirth's distinctive signature style: Her painting is characterised by a gestural application of paint, spontaneous, physical movement and an open approach to the pictorial space, which is not seen as a closed background but as a living field of painterly settings. The result is an energetic combination of figuration and abstraction that makes the emotional immediacy of her work impressively accessible. 3200