BERNER NELKENMEISTER, circle (active in Bern around 1479-1510) Annunciation. Around 1500. Oil on wood. 98 × 91 cm. Expertise: - Alfred Stange, 28 June 1967 (as Berner Nelkenmeister, copy of expertise available). - Dr Charlotte Gutscher-Schmid, 18.2.2024 (as Berner Nelkenmeister circa 1500). Provenance: Swiss private property, Château de Courtaney. Literature: Alfred Stange and Nobert Lieb: Kritisches Verzeichnis der deutschen Tafelbilder vor Dürer, vol. II: Oberrhein, Bodensee, Schweiz, Mittelrhein, Ulm, Augsburg, Allgäu, Nördlingen, von der Donau zum Necker, Munich 1970, no. 331, p. 78. The panel with the Annunciation to Mary is the former inside of a left-hand wing of the reredos. The depiction of the Nativity on the right-hand inner panel was probably its counterpart. The composition is based on several graphic models, such as a copperplate engraving by Martin Schongauer (1445/50-1491), who was very well known in the late 15th century. The robe of the archangel, on the other hand, with its short sleeves and beaded hems, is more similar to those in 15th century Italian depictions of the Annunciation. The term "carnation masters" can be used to describe artists' workshops in the Solothurn, Bern, Baden and Zurich areas between 1479 and 1510, who favoured signing their works with red and white carnations. The painter of our panel proves to be a typical representative of the period around 1500, who skilfully combined various known models to create his own version. This independent approach to models is what makes this altarpiece so appealing. The panel also demonstrates the high level of craftsmanship of a late medieval workshop in our region. It captivates with its exceptionally beautiful colours and the successful depiction of the relationship between the angel and the self-confident but humble Mother of God.