CAMEE on two layers of agate set in a yellow gold ring. Maenad and Eros . The female figure is standing in a slight contrapposto, her left side slightly forward. Her long tunic, with three movements, is tight around the chest and pulled up over the left thigh, held in place by a fibula. Her right breast is uncovered. She is holding a thyrse in her left hand and a bunch of grapes in her right. Her head, presented three-quartered and tilted towards little Eros, is crowned with a wreath of vine branches. The god of love looks up at his maenad, stretching his arms skywards to welcome the bunch of grapes. He is also depicted naked, a drape flying delicately over his ample belly and passing behind his buttocks. In the style of cameos by Santarelli Giovanni. Cameo 20 x 32 mm; TDD 58 1/2; gross weight 15.4 g. Bacchante and Love" incised on the reverse. Early 19th century Modern mounting A Neoclassical two-layered agate cameo mounted in a later gold ring. Maenad and Eros. The female figure is presented standing in a slight contrapposto, the left slightly forward. Its long tunic with three movements is tight around the chest and raised to the level of the left thigh, held in place by a fibula. The right breast is exposed. She holds a thyrsus in her left hand and a bunch of grapes in her right. His head, presented in three-quarter view and inclined towards little Eros, is topped with a crown of vine vines. The god of love, for his part, looks at his maenad while stretching his arms towards the sky to welcome the bunch of grapes. He is also shown naked, a drape flying delicately in front of his plump stomach and passing behind his buttocks. In the style of cameos by Santarelli Giovanni. Early 19th Century