Contemporary Art Frank Nitsche 2 works. 2015. each pencil on firm wove paper. Each 41.8 x 29.6 cm. Each signed and dated "14.11.15" verso. Inserted in support in spots, in original wrapping paper. - Minimally dusty, one corner very minimally bumped, one sheet with tiny, very pale stain, pencil only slightly smudged in places, overall very good. Annual edition of the Museis Saxonicis Usui, Freunde der Staatlichen Kunstsammlungen Dresden, 2016 - Nitsche is one of the up-and-coming artists of contemporary abstraction. In 1988, he began his training at the Dresden Academy of Fine Arts under Prof Kerbach, graduating in 1995. His formal language is geometrically abstract; in clear, albeit ingeniously interlaced compositions, he combines formal surfaces with three-dimensional structures and line formations. Line and form, surface and space enter into an exciting, changing dialogue. Nitsche revives the formal aesthetics of the 1950s and his works evoke associations with architectural structures. Futuristic spatial structures emerge from pure abstraction. 2 works. Each pencil on strong wove paper. each signed and dated on the verso. - Spot-inserted to underlying mat, in original coverpaper. - Minimally dusted, one corner very minimally bumped, one work with a tiny, very faint stain, pencil only isolated slightly smudged, all in all very good. - Annual edition of Museis Saxonicis Usui, friends of Staatliche Kunstsammlungen Dresden, 2016. - Nitsche is one of the upcoming artists of contemporary abstraction. In 1988 he began his training at the Dresden Academy of Fine Arts under Professor Kerbach where he graduated in 1995. His formal language is geometrically abstract; in clear, albeit ingeniously interlaced compositions he combines formal surfaces with three-dimensional structures and line formations. Line and form, surface and space enter into an exciting, changing dialogue. Nitsche revives the formal aesthetics of the 1950s and his works evoke associations with architectural structures. Futuristic spatial structures emerge from pure abstraction. 1200