Gallery Gerd Rosen Collection of 14 exhibition posters by the avant-garde gallery Gerd Rosen. 1945/46. Each lithograph or offset lithograph on offset paper. Sheet dimensions approx. 30.5 x 42.5 cm each. Each with typographical information on exhibitions, gallery and print. One sheet firmly mounted on card (this with doublette). Contains posters from exhibitions on: Eggert, Lindenberg, Trökes (August-September 1945) - Werner Heldt (March 1946), Karl Hartung (April 1946) - Ernst Wilhelm Nay (May 1946) - 1 Jahr Galerie Gerd Rosen, Rückblick + Vorschau (August 1946) - Willi Baumeister (November 1946) - a.o. - Printed by Hans Muschke, Schulz & Henschel, etc. - Together with the art collector Max Leon Flemming and the painter Heinz Trökes, Gerd Rosen founded the Gallery of Modern and Avant-Garde Art, which celebrated its opening on 9 August 1945. It is considered Germany's first post-war gallery and exhibited in particular artists who had recently been considered degenerate, were banned from painting or whose works had been partially destroyed by the National Socialists. - Evenly browned due to paper, partially somewhat creased in margins, one sheet with backed nick on verso, some slight rubbing on verso, occasional short marginal tears. Good overall. Exceptionally well-preserved and comprehensive collection of exhibition posters. Collection of 14 exhibition posters by the avant-garde gallery Gerd Rosen. 1945/46. Each lithograph or offset lithograph on offset paper. Each with typographical information on exhibitions, gallery and print. One sheet firmly mounted on card (this one with doublet). - Together with the art collector Max Leon Flemming and the painter Heinz Trökes Gerd Rosen founded the gallery of modern and avant-garde art which celebrated its opening on 9 August 1945. It is considered Germany's first post-war gallery and exhibited in particular artists who had recently been considered 'entartet', were prohibited from painting or whose works had been partially destroyed by the regime. - Evenly browned due to the paper, some creasing in the margins, one sheet with backed incision on the verso, some slight rubbing on the verso, occasional short marginal tears. Good overall. Exceptionally well-preserved and comprehensive collection of exhibition posters.