Geometrical Abstraction - Op Art Richard Anuszkiewicz o.T. (Sequence in fluorescent red). 1968. colour silkscreen on light wove cardboard. 34.3 cm x 30.3 cm (45 x 32 cm). Signed, dated and numbered. Mounted in spots on support and framed under glass (unopened). - Tiny, barely visible stain lower centre, lower corners with a few very minimal creases, overall very good and extremely fine. Extremely splendid, rich impression in vibrant colours, with margins, very wide margins at the bottom. One of 150 copies. - Anuszkiewicz, who alongside Victor Vasarely and Bridget Riley can be regarded as one of the key representatives of Op Art, deals in his work with visual phenomena in which colours of varying intensity meet in geometric figuration. Often arranged in interlocking squares, his works resemble those of his teacher Josef Albers. He constantly and tirelessly explores colour and form effects in his artistic work and works out his visually appealing visual language in the series format. He explores the limitless possibilities of colour and its optical effect and creates images of a fanning out colour spectrum of magnetic attraction. Colour silk-screen on light wove card. Signed, dated and numbered. Spot-mounted to underlying mat and framed in high-quality under glass (unopened). - Tiny, hardly visible stain at lower middle, few very minimal crease marks in lower corners, all in all very good and impeccably nice. Extremely splendid, rich impression in colour-luminous intensity, with margin, wide margin at bottom. - One of 150 copies. - Anuszkiewicz who alongside Victor Vasarely and Bridget Riley is considered one of the key representatives of Op Art deals in his work with visual phenomena in which colours of varying intensity meet in geometric figuration. Often arranged in interlocking squares, his works resemble those of his teacher Josef Albers. He constantly and tirelessly explores colour and form effects in his artistic work and develops his visually appealing visual language in the format of the series. He explores the limitless possibilities of colour and its optical effect, and creates images of a magnetic attraction. 1200