[GROTESQUES]. Lot of seven engravings from the 16th-18th centuries in the classical style. Works include: DELAUNE, Etienne (1518-1583). Plate 8 from the Combats and Triumphs series. c. 1550. Copper engraving (70 x 225mm) on paper with indistinct watermark (traces of old mounting tape on verso) [IN LOT WITH:] DELLA BELLA, Stefano (1610-1664). Grotesque ornamentation (frontispiece of the series). Copper engraving (170 x 65mm) trimmed and mounted on laid paper (18th century) [WITH:] VICO, Enea (1523-1567). Lucretia. Copper engraving (207 x 303mm), second state after the 'excudit' of Barlacchi, on laid paper (traces of old mounting on verso) [WITH:] AGOSTINO DE' MUSI (16th century). Young warrior before an altar (Alcibiades). Copper engraving (248 x 86mm), first of two states, before Salamanca's excudit, printed on laid paper (light restorations, small losses to lower margin, traces of previous mounting) [WITH:] LE PAUTRE, Jean (1618-1682). Candelabra with floral decorations. c. 1670. Copper engraving (440 x 110mm), two joined sheets on watermarked paper [WITH:] HOPFER, Daniel (1470-1536). Grotesque motifs for candelabra, from Opera Hopferiana. Nuremberg: Funck, [17th century]. (274 x 236mm), second state (number '32') from the Funck reprint edition [WITH:] BOSSI, Benigno. Plates 20-22 representing grotesques. Parma, c. 1770. Copper engraving (445 x 300mm) with watermark 'Giglio F. S.'. [WITH:] Neoclassical etching depicting playful scenes around a herm of Dionysus (380 x 80mm).