IMPORTANT NEEDLEPOINT CARPET, SIGNED J.M.P. PONTREMOLI, ENGLAND, CIRCA 1930 Cm 513X960 Worked in gros-point with petit-point detail in the workshop of Jacques Mereno Pontremoli (1886-1952) Presents a large band affected by mould, with visible holes and critical areas and some stains AN IMPORTANT ENGLISH RUG, SIGNED J.M.P. PONTREMOLI, CIRCA 1930; MOLD, HOLES, SPOTS Sometimes, as with this rug, an initials JMP can be found in an outer edge of a corner. The Pontremoli family, of Italian Sephardic origin, founded workshops in Paddington, West London in 1910, supplying home furnishings, especially antique carpets and textiles. They became particularly famous in the 1930s until the 1950s for combining their two fields of expertise and produced carpets based on 16th and 17th century textiles and early English carpets. In 1931 there was a campaign to encourage the public to buy English-made items and the Pontremoli family took this exhortation to heart, using British materials and training local women to work with them, with great success. They were commissioned to produce pieces, as recorded in their archives, for embassies in London and abroad and for many illustrious houses. Pontremoli's clients included H.M. Queen Mary (who granted Pontremoli a royal warrant), H.R.H. The Duke of Kent and Her Majesty the Queen, Henry Channon, M.P. among others. The carpets offered here, were a pair commissioned for the ballroom of the House of Somerset in Stratford Place, and each piece is remembered to have taken eleven ladies, two years to complete. Many of Pontremoli's carpet designs come from the long and rich tradition of European carpets and textiles. Earlier pieces were in the Directoroire, Regency or Adam styles, complementing architectural interiors. Then the designs became more typically, beautifully balanced compositions, including overall main fields of floral and foliate designs, often with isolated individual flowers and/or scrolling foliate paths, with complementary borders that sometimes incorporated the characteristic Tudor rose motif in the corners, or a flower head flanked by stylised stems. The complexity of the small dot work, most often found only in isolated motifs, is evident in the present examples throughout the flowers. The background colours were often a pastel shade, and in the pieces on offer there is a pale yellowish ivory colour with pastel floral and foliate motifs. See an example signed JMP, early 1930s, with eau-de-nil ground is very rare. Reference bibliography: Mayorcas, J., English Needlework Carpets, 16th and 19th centuries, Leigh-On Sea, Publishers Limited, 1963 Lewis F., The Pontremoli Collection, Leigh-On Sea, Publishers Limited, 1942.