Jean-Pierre Pincemin (1944-2005) Untitled 1987 Xylogravure on ink-enhanced Tiepolo paper, signed and numbered 87/90 lower left Printer Atelier Pasnic, Paris Publisher Les Amis du Musée d'Art moderne de la Ville de Paris 160 x 120 cm Condition report: Traces of dampness and small tear lower left Initially a member of the Supports/Surfaces movement, where attention was focused on the physical reality of the painting itself, Jean-Pierre Pincemin decided to "sweep away and assimilate everything" at the end of the 1980s. He synthesised all the styles and techniques he had learned to master over the years. "My great affair with painting is loving painting, not knowing how to paint and soon enough being able to identify with Western painting."