LOT. Set of 6 volumes. BARBIER (Luc). La Passion. S.l., s.n., 1952. In-folio, leaves, two folders, one red hardback, the other black and red chagrin, slipcase. Collection of twenty etched plates, including ten full-page illustrations. Limited edition of 75 copies, this one enriched with a handwritten folio page containing a long letter to Guy Lutier dated 1984 and a drawing in the author's hand (11 x 8 cm). BURGART (Jean-Pierre). Force de la mer. Paris, Brunidor, Robert Altmann, 1965. Broadside, leaves, publisher's slipcase. Entirely lithographed in colour and decorated by Jean Hélion with six signed plates. One of 65 numbered copies signed by the author and the artist, this one hors commerce. CARCO (Francis). Poésies complètes. Paris, NRF, 1955. In-8, orange half-chagrin, gilt head, cover (Jean Raymond). Edition illustrated with twelve watercolours and drawings by Dignimont, J. Thevenet, M. Vlaminck... One of 2100 copies on special vellum of Grillet et Féau. Spine insolate. GIDE (André). La Symphonie pastorale. Grenoble, Éditions du Grésivaudan, [1974]. In-4, leaves, publisher's cover, folder and slipcase. Illustrated with sixteen original lithographs by Daniel Sciora. One of 50 copies on Arches vellum signed by the artist at the justification (n°47), including in portfolio: a colour suite of the sixteen lithographs on Arches vellum and four colour lithographs printed on silk, all signed by the artist on each plate. Copy enriched with a double leaf containing an autograph signed letter from the artist to Marie Louise Maurel and a drawing (25 x 13 cm). MÉRIMÉE (Prosper). Chronicle of the reign of Charles IX. Paris, Crès, 1927. In-4, green half-maroquin with corners, gilt fillets, spine decorated, gilt head, untrimmed, cover (Ruban). Numbered copy on Rives vellum. Illustrated with colour compositions by Joseph Hémard. Joints slightly rubbed. RÉAGE (Pauline). Histoire d'O. Paris, Tchou, 1968. In-4, fawn chagrin, mosaic plate representing two figures embracing, smooth spine (Binding of the period). Colour illustrations by Léonor Fini. Spine slightly faded.