Modern and Contemporary Art Concrete Art Mahlmann, Max Hermann Untitled, from: *Blank Page*. 1991. Silkscreen print on vellum. 21.2 x 21.2 cm (27.2 x 23.7 cm). Signed, dated and numbered. Mounted on sturdy cardboard along the top edge; here, on the reverse, with an artist’s dedication, which is dated. – Overall in very good condition. A magnificent, deep black print with clean lines and a narrow margin. One of only 13 copies numbered in Roman numerals. – On the reverse, an artist’s dedication: ‘Max H. Mahlmann, Gudrun Piper: from “Blank Page”, London 1991, for Marianne Tidick, 1 November 1992.’ - Over four decades, Gudrun Piper and Max H. Mahlmann have created a body of work that exemplifies the development of concrete-constructive art in Germany. No other artist couple has explored and further developed the methodological and aesthetic principles of this art movement so consistently, yet each in their own way. Silkscreen print on wove paper. Signed, dated and numbered. The upper edge is mounted on stiff cardboard; on the reverse, there is the artist’s dedication, dated. – Very good overall condition. Splendid, deep black and clear impression with a narrow margin. – One of only 13 copies numbered in Roman numerals. - From: *Blank Page*, London 1991. - Over four decades, Gudrun Piper and Max H. Mahlmann have created a body of work that exemplifies the development of concrete-constructive art in Germany. No other artist duo has explored and developed the methodological and aesthetic principles of this art movement so consistently, whilst remaining true to their own unique approach.