Philippe DRUILLET Salammbô Mâtho - Chapter 3 India ink on card for the plate 9 from this album published in 1986 by éditions Dargaud. Signed. From the artwork by Gustave Flaubert. 80 × 60 cm. Philippe Druillet illustrates the violence of history and passion. He concentrates on the outpouring of forms and emotional emotional reactions, on signs bodies or faces that form a dramatic a dramatic chorus. He gets as close to chaos, but he knows how to to control this convergence of forces to propel the narrative forward. The drawing is a radical exclamation radical exclamation that shatters conventions conventions and reorganises the world. style translates raw energy into images. Here we find the exalted gestures and fantastical of Philippe Druillet, his furious desire to upset trajectories: the sharp lines and and impulsive movements the narrative. There is always a convulsive dimension to his convulsive dimension to his drawing. each scene as a place of confrontation place of confrontation. and uses the tumult of Indian ink to share the tumult of Indian ink to share spontaneous emotion. spontaneous emotion. Philippe DRUILLET Philippe Druillet illustrates violence of history and passion. He focuses on the outpouring of forms and reactions emotional reactions, on signs bodies or faces that form a dramatic chorus. He approaches to the chaos, but he knows master this convergence of forces to propel the narrative forward. The drawing is an exclamation radical exclamation that breaks with and reorganises the world: the very style conveys a raw energy into images. Here we find the exalted gestures and outbursts of Philippe Druillet, his furious desire to upset trajectories: the sharp and and impulsive movements the narrative. There is always in his drawings a dimension convulsive dimension to his drawing. and sees each scene as a a place of confrontation, one ruptures and builds on the tumult of Indian ink to share emotion with the reader. emotion.