8. 8AR JOSE MARIA SICILIA (born 1954) La luz que se apaga 2003 Signé et situé Soller au dos Acrylique et cire d'abeille sur bois Getekend en gelokaliseerd Soller op de achterkant Acryl en bijenwas op hout Signed and located Soller on the back Acrylic and beeswax on wood 184 x 156 cm Provenance / Herkomst Galerie Noirhomme, Bruxelles Acquis à la galerie par l'actuel propriétaire Collection privée / privécollectie, France Un certificat de l'artiste sera remis à l'acquéreur In 1985 and 1986, Sicilia began a long series entitled Fleur, which he is still working on today, resulting more from an abstract treatment of the motif than from a concern for realism. He then began to reflect on the structure of the painting and the materiality of the brushstroke; the production of a dense material, through additions, washes and scrapings, resulted two years later in paintings that were almost white - but that buried within them other whites and a few coloured residues, lines and shapes. From 1990 onwards, Sicilia chose wax and paper for most of his works. These materials have the singular ability to reveal or blur, to stop or filter light, a new component of the work. The wax, poured in thin layers, sometimes covers the images and printed sheets, sometimes supports immense flowers painted in oil.