Lot no. 44
YAKA MASK
DEMOCRATIC REPUBLIC OF THE CONGO
Polychrome wood
H.: 40 cm (15³?? in.)
A Yaka mask, Democratic Republic of the Congo
Provenance: Collection of Jean-Jacques Rotthier (1932–2009), Brussels, then passed down through the family
This polychrome panel depicts the head of a red-tailed parrot. It is the companion piece to the one held at the Royal Museum for Central Africa in Tervuren (inv. no. 39.959).
This sculpture was originally part of a Kikaku, a richly decorated ritual pavilion erected for male initiation ceremonies. Set up in isolated camps in the bush, the Kikaku was the site of a long period of ritual seclusion. During this transitional phase, the initiates undertook a demanding training programme designed to develop their endurance and to impart to them customary laws, as well as the traditions and mythological tales inherited from their ancestors.
This training also included learning to hunt, acquiring various practical skills, and mastering the rules of conduct governing life in society, particularly relations with women. The Kikaku thus played an essential role in passing on the community’s knowledge, values and cultural identity.
A YAKA MASK
DEMOCRATIC REPUBLIC OF THE CONGO
Polychromed wood
H.: 15³?? in.
Provenance: Jean-Jacques Rotthier Collection (1932–2009), Brussels, then by descent
This colourful panel depicts the head of a red-tailed parrot. It is the counterpart of a related example held at the Royal Museum for Central Africa in Tervuren (inv. no. 39.959).
The carving originally formed part of a Kikaku, a richly decorated ritual hut erected for male initiation ceremonies. Situated within secluded bush encampments, the Kikaku served as the setting for an extended period of ritual seclusion. During this transitional phase, initiates underwent rigorous training designed to build endurance, impart knowledge of customary laws, and pass on ancestral traditions and mythologies. Instruction also covered hunting techniques, practical skills, and prescribed codes of conduct governing social relations, particularly interactions with women.
See original version (French) Auto-translation. Refer to original language for legal validity.
Pictures credits: Contact organization
African, American and Oceanic Art
About the sale09/08/2026
Catalog
The Jean-Jacques Rotthier Collection: Art from Africa and Oceania
75008 Paris - France
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