Jean Claude LOFENIA (born 1984, Democratic Republic of Congo). "The Dandy Couple Acrylic on canvas signed and dated (October 2018) lower left 115.5x93 cm (without margins). Provenance: Collection of Pascal Barbier, manager of the restaurant "La Maison de France" in Kinshasa, who was one of the first to donate walls to Lofenia. Bibliography. Trained in Chéri Chérin's studio, Lofenia follows in the purest tradition of popular Congolese painting. He adds his own personal touch, an invitation to build a collective memory between peoples. In 2021, he was commissioned by the Musée du Quai Branly Jacques Chirac to paint a canvas (the battle of Zumbu in Vumbu) for the "La Part de L'Ombre" exhibition, which runs from 14 December 2024 to 10 April 2022.

Jean Claude LOFENIA (born 1984, Democratic Republic of Congo). "The House of France Acrylic on canvas signed and dated (November 2019) lower right. 130x99 cm (without margins). Provenance: Collection of Pascal Barbier, manager of the restaurant "La Maison de France" in Kinshasa, who was one of the first to donate walls to Lofenia. Bibliography. Trained in Chéri Chérin's studio, Lofenia follows in the purest tradition of popular Congolese painting. He adds his own personal touch, an invitation to build a collective memory between peoples. In 2021, he was commissioned by the Musée du Quai Branly Jacques Chirac to paint a canvas (the battle of Zumbu in Vumbu) for the "La Part de L'Ombre" exhibition, which runs from 14 December 2024 to 10 April 2022.

Jean Claude LOFENIA (Born 1984, Democratic Republic of Congo). "La Francongolisation Acrylic on canvas signed and dated (April 2019) lower left. 119x69 cm (without margins). Provenance: Collection of Pascal Barbier, manager of the restaurant "La Maison de France" in Kinshasa, who was one of the first to donate walls to Lofenia. Bibliography. Trained in Chéri Chérin's studio, Lofenia follows in the purest tradition of popular Congolese painting. He adds his own personal touch, an invitation to build a collective memory between peoples. In 2021, he was commissioned by the Musée du Quai Branly Jacques Chirac to paint a canvas (the battle of Zumbu in Vumbu) for the "La Part de L'Ombre" exhibition, which runs from 14 December 2024 to 10 April 2022.

Jean Claude LOFENIA (Born 1984, Democratic Republic of Congo). "Restaurant Malewa chez Kabibi" Acrylic on canvas signed and dated (May 2017) lower right. 70x69, 5 cm (without margins). Provenance: Collection of Pascal Barbier, manager of the restaurant "La Maison de France" in Kinshasa, who was one of the first to donate walls to Lofenia. Bibliography. Trained in Chéri Chérin's studio, Lofenia follows in the purest tradition of popular Congolese painting. He adds his own personal touch, an invitation to build a collective memory between peoples. In 2021, he was commissioned by the Musée du Quai Branly Jacques Chirac to paint a canvas (the battle of Zumbu in Vumbu) for the "La Part de L'Ombre" exhibition, which runs from 14 December 2024 to 10 April 2022.

Jean Claude LOFENIA (born 1984, Democratic Republic of Congo). "Taxi Ya Mbutu-Mbutu". Acrylic on canvas signed and dated (May 2017) lower right. 119x70 cm (without margins). Provenance: Collection of Pascal Barbier, manager of the restaurant "La Maison de France" in Kinshasa, who was one of the first to donate walls to Lofenia. Bibliography. Trained in Chéri Chérin's studio, Lofenia follows in the purest tradition of popular Congolese painting. He adds his own personal touch, an invitation to build a collective memory between peoples. In 2021, he was commissioned by the Musée du Quai Branly Jacques Chirac to paint a canvas (the battle of Zumbu in Vumbu) for the "La Part de L'Ombre" exhibition, which runs from 14 December 2024 to 10 April 2022.

Jean Claude LOFENIA (born 1984, Democratic Republic of Congo). "The Kinoiserie Acrylic on canvas signed and dated (Feb 2017) lower right. 118x98 cm (without margins). Provenance: Collection of Pascal Barbier, manager of the restaurant "La Maison de France" in Kinshasa, who was one of the first to offer walls to Lofenia. Bibliography. Trained in Chéri Chérin's studio, Lofenia follows in the purest tradition of popular Congolese painting. He adds his own personal touch, an invitation to build a collective memory between peoples. In 2021, he was commissioned by the Musée du Quai Branly Jacques Chirac to paint a canvas (the battle of Zumbu in Vumbu) for the "La Part de L'Ombre" exhibition, which runs from 14 December 2024 to 10 April 2022.

Jean Claude LOFENIA (Born 1984, Kinshasa). "The sapology of the present time". Acrylic on canvas signed and dated (May 2017) lower right. 99.5x70 cm (without margins). Provenance: Collection of Pascal Barbier, manager of the restaurant "La Maison de France" in Kinshasa, who was one of the first to donate walls to Lofenia. Bibliography. Trained in Chéri Chérin's studio, Lofenia follows in the purest tradition of popular Congolese painting. He adds his own personal touch, an invitation to build a collective memory between peoples. In 2021, he was commissioned by the Musée du Quai Branly Jacques Chirac to paint a canvas (the battle of Zumbu in Vumbu) for the "La Part de L'Ombre" exhibition, which runs from 14 December 2024 to 10 April 2022.

LAMONZ S (XXth). Acrylic on canvas signed lower left. 75x12 cm. Framed 84x20, 5 cm.

JC JOSEPH Oil on canvas signed lower right. 29x23, 5 cm. Framed: 38x32, 5 cm. Jumps of paint.

20th century school Mixed media (oil pastel and watercolour). Illegible signature.

Aquatint justified 76/140 Titled in graphite in the margin. Signature illegible

Abdoulaye M'BOUP "Koranic School Artist's proof numbered EE1 and signed lower right. 40x29 cm. Total size : 54x37, 5 cm.

Bakary DIEME (born 1949, Senegal) "Male portrait". Wash and watercolour highlights. Signed and dated 78 lower right 62x40 cm. Framed: 63x50, 5 cm.

Albert COUTURIAUX. Silver print. 17x12 cm. Framed: 32.5x23.5 cm.

Albert COUTURIAUX. Silver print 17x12 cm. Framed: 32.5x23.5 cm.

JARAI/EDE, Central Highlands of Vietnam. Eroded hardwood. Pole holding a water jar evoking the ritual of the buffalo ceremony. Height: 108 cm

JARAI/EDE, Central Highlands of Vietnam. Eroded hardwood. Pole holding a water jar evoking the ritual of the buffalo ceremony. Height: 112 cm

JARAI - Vietnam. Protective pole. Height: 134 cm Weathered wood. Misses.

CHANCAY, Peru. Very old rectangular strip of fabric with characteristic motifs on a red background. Size: 140x9 cm. Wear and tear.

QUECHUA or AYMARA, Bolivia. Small old sheep's wool poncho for children, made up of two strips sewn together. Size: 40x32 cm.

SHIPIBO -CONIBO, Peruvian Amazon Indians. Mahuetâ" religious vessel used to store "Masato" cassava beer, consumed at festivals and community gatherings. This terracotta vessel is modelled with a human face and covered with a beautiful black and ochre geometric decoration on a cream background. Size: 18x15.5 cm.

GREAT KABYLIA, Algeria. Terracotta, natural pigments. Terracotta pot with two handles and side neck. Early 20th century. Height: 20 cm. Visible lack. Provenance: Collection of Madame S. F. By descent. Note: "This collection originally belonged to my grandparents and was passed down to me by my grandmother. It was acquired when I took over an artist's studio in Montmartre in the 1930s, my grandfather having also bought the furniture from the former tenant, the actor Robert le Vigan, who at the time had a certain reputation and frequented the Parisian artistic scene (friend of Louis-Ferdinand Céline, Marcel Aymé, Gen Paul, etc.).

MOROCCO. Four pairs of "Halaqa" earrings in silver, red coral and verroterie. Size: from 5 cm to 13.5 cm.

MOROCCO. Wood with patina of use. Powder flask, flintlock rifle accessory. Early 20th century. Height: 23 cm. Visible lack.

Important powder flask, BERBER, Morocco. Red copper, yellow copper, silver-plated metal, pearl cabochons Mid 20th century. Size: 64x34 cm

CHINA. Antique metal teapot with handle and spout. Beautifully decorated with Chinese characters and inscriptions. Height : 17,5 cm. Provenance: Private collection from Orléans. Acquired during a sale at Maître Savot in Orléans.

TIBET. Embossed copper, antique patina. Mask of "Cheppu", the guardian god represented in his wrathful appearance. Cheppu is one of the three Garuda brothers, renowned for his bravery and truthfulness. Length: 30 cm. Height: 23 cm.

TIBET. Polychromed wood. Large statue of the deity Guanyin standing in royal repose and holding a pearl in his left hand. Height : 60 cm. Small chips and missing parts.

VIETNAM or CHINA. Very old parasol handle in finely worked bone with a beautiful patina of use. Length : 17,5 cm. Provenance: Private collection from Orléans. Acquired during a sale at Maître Savot in Orléans.

BOMBAY, Mahārāshtra state, India. Terracotta, metal, old polychromy. Head-portrait of a Maharaja who reigned in Bombay and was probably part of a royal palace decoration. This magnificent portrait illustrates the nobility of the character and is annotated Bombay on the back. Early 20th century. Height: 25 cm. Width: 19 cm. Minor accidents and missing pieces. Note: The city's official name was changed from Bombay to Mumbai in 1995.

RAJBANSHI, Terai, Nepal. Hard wood, dark brown patina. Very old dance mask with stylised lines representing "Hanuman", a mythical monkey from the Hindu tradition of the Ramayana epic. Height : 27,5 cm. Marks of age.

Miniature mask, TIMOR Wood, dark brown patina. Height: 12 cm.

BAOULE, Ivory Coast. Bronze statuette with the image of a tortoise. Size: 15x9 cm.

AKAN, Ivory Coast/Ghana. Bronze statuette with the image of an ostrich. Height: 21 cm.

AKAN, Ivory Coast/Ghana. Bronze statuette with the image of a duck. Size: 17x19, 5 cm.

MADAGASCAR (south). Blond and black wood. Sculpture in the form of a pestle with a standing figure at the top dominating three human heads in relief. Circa 1930. Height: 44 cm.

MAHAFALY, Madagascar. Blond and black wood. Statue reminiscent of the "Alo Alo" poles and representing a standing woman surmounted by a vertical pallet. Height: 76 cm.

Ceremonial flute, IATMUL, Middle Sepik, Papua New Guinea. Wood, bamboo, cypraea, basketry, plant fibres. Length: 99 cm.

IATMUL, Middle Sepik, Papua New Guinea. Wood, pigments, fibres, shell, vegetable gum. Male statue standing on a stool, hands on hips, inlaid with cypraea shells. Height: 56 cm.

Female bust, mouth of the Sepik River, Papua New Guinea. Wood, pigments, shell. Height: 42 cm.

Standing male statue, MURIK, Papua New Guinea Wood, pigments, Standing male statue Height: 43 cm. Slightly missing.

GULF OF PAPUA, New Guinea. Wood, polychrome natural pigments. Bioma" votive figure representing an "Imunu (spirit)", placed next to the "Gope" boards in the men's house, a place of social, ritual and political life in the villages of the Gulf of Papua. Height: 94 cm. Width: 24 cm. Restoration (forearm). Note: Old gallery label.

Votive bark board, Sepik River Valley, Papua New Guinea. Ceremonial house painted tree bark. Size: 58x22.5 cm

SOUTH WEST GREENLAND Powerful carved reindeer antler Tupilak fetish. Height: 11.5 cm.

TUPILAK reindeer antler fetish, GREENLAND. Walrus transformation myth. Height: 12 cm.

Tupilak reindeer antler fetish, Greenland. Height: 11.5 cm.

EASTERN SIBERIA Reindeer antler and tooth disc TCHUKCHI bracelet decorated with a polar bear. Dim/ 7,5x7 cm.

Two Tupilak reindeer antler fetishes, Greenland. Height: 10.5 cm and 13.5 cm.