Henry FRADELLE (1778-1865) after and Lordereau Editor - Paris Othello telling his story to Desdemona. Lithograph 55 x 69 cm Damage and missing parts

Louis TOCQUE (1696-1772) & Jean-George WILLE (1715-1807), after Portrait of Louis III Phélypeaux, comte de Saint-Florentin, marquis then duc de La Vrillière. Black engraving. 19th century. 49 x 34.5 cm on view Wear, small accidents to the frame. Note: Son of Louis Phélypeaux (1672-1725), Marquis de La Vrillière and Françoise de Mailly-Nesle (1688-1742), Louis III Phélypeaux (1705-1777) distinguished himself in politics under the reign of King Louis XV by becoming Secretary of State for the Allegedly Reformed Religion, Chancellor to the Queen, Secretary of State for the King's Household, Secretary of State for Foreign Affairs and above all Minister of State in 1761. Related work: Louis Tocqué (1696-1772), Portrait de Louis III Phélypeaux, comte de Saint-Florentin, 1748, oil on canvas, Marseille, Palais Longchamp, num. inv. BA 231.

Hyacinthe RIGAUD (1659-1743) & Claude DREVET (1697-1781), after Portrait of Henri Oswald de La Tour d'Auvergne, Cardinal of Auvergne, Archbishop of Vienne, Abbot of Cluny, Canon and Grand Provost of Strasbourg, Commander of the Order of the Holy Spirit. Black engraving. 19th century. 51 x 38 cm. Worn, trimmed. Note: Son of Frédéric-Maurice de la Tour d'Auvergne (1642-1707) and Princess Françoise de Hohenzollern-Hechingen (1642-1698), Henri Oswald de La Tour d'Auvergne (1671-1747) was destined by his family for an ecclesiastical career. Nicknamed "L'Abbé d'Auvergne" and later "Le Cardinal d'Auvergne", Henri Oswald became Archbishop of Tours from 1719 to 1721 and then Archbishop of Vienna from 1721 to 1745. He was elevated to the eminent rank of cardinal on 20 December 1737 by Pope Clement XII. Related work: Hyacinthe RIGAUD (1659-1743), Portrait de Henri-Oswald de La Tour d'Auvergne, 1735, oil on canvas, sale by L'Huillier & Associés, Paris, 4 April 2016.

JB. GADOLA Éditeur - Lyon Temples of memory, chronology of famous women from all over the world from creation to the present day. By Thomas. Printed by Becquet. Lithography. 59.5 x 73.5 cm Damage, missing parts and stains

JB. GADOLA Éditeur - Lyon Queens of France by Thomas Printed by Becquet. Lithography. 59.5 x 73.5 cm Accidents and stains

Lot of 9 black lithographs in sheets representing members of the royal families of France, Brazil, Belgium and the Duchy of Wurtemberg, including : - Louis-Philippe I, King of the French. Léon Noël after Franz Xaver Winterhalter. Printed by Lemercier, Paris. 89 x 62 cm. - Marie-Amélie, Queen of the French. Léon Noël after Louis Hersent. Printed by Lemercier, Bernardet et Cie, Paris. 78 x 57 cm. - Louis d'Orléans, Duke of Nemours. Léon Noël after Franz Xaver Winterhalter. Printed by Lemercier, Paris. 79.5 x 57.5 cm. - Victoire de Saxe-Cobourg-Gotha, Duchess of Nemours. Henri Grévedon after Franz Xaver Winterhalter. Printed by Lemercier, Paris. 79.5 x 57.5 cm. - Robert d'Orléans, Duke of Chartres. Léon Noël after Franz Xaver Winterhalter. Printed by Lemercier, Paris. 79.5 x 57.5 cm. - Françoise of Brazil, Princess of Joinville. Henri Grévedon after Franz Xaver Winterhalter. Lemercier print, Paris. 79 x 57 cm. - Frédéric Guillaume Alexandre, Duke of Wurtemberg. Léon Noël after Franz Xaver Winterhalter. Printed by Lemercier, Paris. 79 x 57 cm. - Marie d'Orléans, Duchess of Wurtemberg, Henri Grévedon after Franz Xaver Winterhalter. Lemercier print, Paris. 79 x 57 cm. - Philippe, Duke of Wurtemberg. Printed by Lemercier, Bernardet et Cie, Paris. 78 x 57 cm. - Louis d'Orléans, Duke of Nemours. Delpech after Zéphirin-Félix-Jean-Marius Belliard. 57 x 39.5 cm. - Leopold, King of the Belgians. Léon Noël after Franz Xaver Winterhalter. Printed by Lemercier, Paris. 79.5 x 57.5 cm. Accident, folds, tears, foxing. Note: Following the Trois Glorieuses revolution of 27, 28 and 29 July 1830, which forced King Charles X to abdicate, the situation of the younger branch of the Capetian House of Bourbon changed when the head of the branch, Louis-Philippe d'Orléans (1773 - 1850), was appointed King of the French. The latter wished to establish a parliamentary monarchy in France based on the British model, but did not forget the importance of matrimonial alliances in establishing his influence in Europe, particularly in Belgium, Saxony and Württemberg.

Eugène LELIEPVRE known as de MARCILLAC (1908-2013) Le bien-aller. Stencil enhanced with gouache. Signed in graphite lower right in the plate. 48.5 x 64 cm on view. Rousseurs.

Eugène LELIEPVRE known as de MARCILLAC (1908-2013) Le Bât-l'eau. Stencil enhanced with gouache. Signed in graphite lower right in the plate. 38.5 x 64 cm at sight. Rousseurs

Eugène LELIEPVRE known as de MARCILLAC (1908-2013) The return from hunting. Stencil enhanced with gouache. Signed in graphite lower right in the plate. 48.5 x 64 cm on view. Freckles

Eugène LELIEPVRE known as de MARCILLAC (1908-2013) The rendezvous. Stencil enhanced with gouache. Signed in graphite lower right in the plate. 48 x 63,5 cm on view. Freckles

ENGLISH SCHOOL - Late 19th - early 20th century English cavalry regiments. Watercolour and white chalk. Trace of signature lower left. On the reverse is a handwritten inscription: "Henri Motte, at the time of doing a painting on the last square at Waterloo, had asked G.H.H if he could give information on the uniforms of the English cavalry regiments that had charged at Waterloo. G.H.H asked an English painter from the Royal Academy, who was a friend of Sanisbury's, and it was this sketch with the details that this painter sent to Henri Motte (1847-1922)". 21 x 18 cm on view Wear

François Louis DEJUINNE (1784-1844) Portrait of a man Charcoal, white gouache and red chalk. Signed lower left. 47.5 x 36 cm Wear

Czeslaw Boris JANKOWSKI (1862-1941) Sailor with pipe. Watercolour. Signed and located in the upper right corner. Signed and dated 1903 lower left. 23 x 15 cm at sight. Minor foxing.

Vasyl KHMELUK (1903-1986) The bandoneon player. Gouache on paper with gold highlights. Signed lower right. 49 x 31 cm on view

Paul DELAROCHE (Hippolyte de la Roche dit) (1797-1856) The First Communicant. Graphite and shading. Bears the stamp of the Horace Paul Delaroche-Vernet collection lower right. Bears a dedication in graphite on the passepartout. 21 x 14 cm at sight Some foxing, small restoration in the lower left corner. Provenance: Horace Paul Delaroche-Vernet collection.

Jules Émile ZINGG (1882-1942) Portrait of a Woman. Charcoal. Signed lower right. 61 x 48 cm on view Freckles

FRENCH SCHOOL - 19th century Piper on a wine barrel. Sepia ink wash 27 x 16 cm at sight.

Workshop of Jean-Baptiste REGNAULT, known as Baron REGNAULT (Paris, 1754-1829) Danae. Black pencil and red chalk. An old auction label on the reverse. 18.5 x 24 cm Expert : Cabinet de Bayser

Franck WILL (1900-1951) Market Place Métézeau in Dreux. Watercolour. Situated lower left and signed lower right. 46.5 x 59 cm on view

Franck WILL (1900-1951) View of Notre-Dame-de-l'Assomption Cathedral in Rouen. Black pencil and watercolour. Signed and located in the lower part. 79 x 64 cm view

Marko STUPAR (1936-2021) Street of Paris Oil and gouache highlights on paper. Signed lower right. 29 x 16 cm on view

Angelo GARINO (1860-1945) Bouquet of cornflowers Watercolour. Signed and dated 31.12.1901. Signed in pen "To Monsieur le Comte de Chabrol - Happy New Year" lower right. 36 x 26 cm on view

Paul SCORTESCO (1895-1976) The florist's stall Oil on panel. Signed lower left. 41.5 x 34 cm. Wear

Agostino TASSI (Rome 1578-1644) attributed to Roman landscape with washerwomen. Canvas. Height : 35,2 cm Width : 42 cm. On the back an attribution to Moitte Key frame. Size (total) : 51 x 60 cm (label Galerie René Drouin) Expert : Cabinet Turquin, Stéphane Pinta.

Hippolyte LECOMTE (Puiseaux, 1781- Paris, 1857) Animals drinking near a river. Original canvas. 50 x 66 cm. Framed. Expert : Cabinet Turquin in Paris

Vittorio Maria BIGARI (1692-1776) Italian square with a fountain dedicated to Hercules. Tempera on original canvas. Height: 59 cm Width: 83 cm Minor chips, restorations. On the reverse a chiocca inscription. Expert: Cabinet Turquin, Stéphane Pinta.

Aris KNIKKER (1887-1962) The village on the polder. Oil on canvas. Signed lower left. 31 x 44 cm. Wear.

Térésa BEZARD-PERATE - 19th-20th century Night view of the marsh. Oil on canvas. Signed lower right. 60 x 92 cm

Léo GAUSSON (1860-1944) The clearing. Oil on canvas. Signed lower right. 46 x 55 cm Restoration

Daniel LEVIGOUREUX (born 1945) Ivry le Temple 1. Acrylic on canvas. Signed and dated 1980 lower left. Countersigned, titled and dated January 1980 on the back. Stamped by The Paris American Art gallery, rue Bonaparte, Paris. 80 x 100 cm Two scratches

Vasyl KHMELUK (1903-1986) Pond in Sologne Gouache on paper. Signed lower left. 25 x 45 cm on view

Henri WELTER (1886-1948) under the pseudonym of H. ENDLICH Hollow path. Oil on canvas. Signed lower left. 40 x 29.5 cm.

Édouard GELHAY (1856-1939) The wood chore. Oil on canvas. Signed lower right. 50 x 61 cm. Accident on the lower right.

L'EST School Woodcutters cutting down a tree. Oil on canvas. Signed lower right to be deciphered. 51 x 61 cm. Wear, accidents and restorations to the frame.

Pierre GARCIA-FONS (1928-2016) Blue stream. Oil on canvas. Signed lower right. Countersigned, titled and stamped by the Galerie Anglade in Perpignan on the reverse. 71 x 53 cm.

Jaap van KREGTEN (1878-1967) Let's go up under a tree in blossom. Oil on canvas. Signed lower right. 30 x 40 cm Minor accident top right, frame missing.

Jean-Mathias SCHIFF (act.1894-1919) - Ecole de Nancy The wood chore. Oil on panel. Signed and dated 08 lower left. 37,5 x 46 cm Small accidents, missing parts

Jacques VAN COPPENOLLE (1878-1915) Low court scene. Oil on panel. Signed lower right. 22 x16 cm

Alfons WALDE (1891-1958) in the style of Peasant women and a mountain chalet. Oil on isorel. 25 x 20 cm

Attributed to Johann Heinrich ROOS (Otterberg 1631 - Frankfurt am Main 1685) Hunting scene. Canvas. Height: 148 cm. Width : 136 cm. Carved and gilded pine frame, 17th century. Appraisal: Cabinet Turquin et associés.

FRENCH SCHOOL circa 1770 Head of an Apostle turned towards Heaven canvas Height : 51,5 cm ; Width : 39,5 cm No frame Previously attributed to Fragonard Minor scratches and missing parts Expert : Cabinet Turquin et associés

17th century school The young page. Oil on canvas. 60 x 54 cm. Misses.

FRENCH SCHOOL - late 18th-early 19th century Poetry. Oil on canvas. 41 x 32,5 cm Wear Related work: François Boucher (1703-1770) attributed to, La poésie, oil on canvas, New York, The Frick Collection, num. inv. 1916.1.17.

FRENCH SCHOOL - late 18th-early 19th century The drawing. Oil on canvas. 41 x 32,5 cm Accident in the lower right part. Related work: François Boucher (1703-1770) attributed to, The drawing, oil on canvas, New York, The Frick Collection, num. inv. 1916.1.16.

François BOUCHER (1703-1770) after Venus Disarms Love. Oil on canvas. 19th century. 47 x 80 cm Related work: François BOUCHER (1703-1770), Venus disarms Love, oil on canvas, Paris, Musée du Louvre, inv. no. RF 289.

French school - 17th century The Holy Family Oil on canvas. 46 x 38 cm Restorations and small accidents in the upper right corner and lower central part

FRENCH SCHOOL - 19th century Portrait of a young girl in a red dress. Oil on canvas. 44 x 37 cm. Restoration, accidents.

Anton KAULBACH (1876-1958) Portrait of Agnes Esterházy. Oil on canvas. Signed upper right. 51 x 40.5 cm Note: Agnes Esterházy (1898-1956) was a Hungarian film actress who worked mainly in Austria and Germany. She appeared in 30 films between 1923 and 1943.