RING Hollow gold. TDD 60; L. 3 cm; 14.6 g Etruscan art, 5th century BC Provenance Former Armand Trampitsch collection (1890-1970) Then by descent French private collection Made of hollow gold with repoussé work, the wide ring has identical decoration on each shoulder representing a human head covered with a veil surmounted by two winged horses facing each other. The almond-shaped bezel is decorated in the centre with a sea horse. Very well preserved. For a similar example, see the gold ring from the Certosa sepulchre in the Museo Archeologico di Bologna. A Rare Etruscan hollowed-gold ring. Ca 5th century B.C. Made of hollow gold and worked in repoussé, the broad hoop features identical decoration on each shoulder: a human head covered with a veil above two confronted winged horses. The almond-shaped bezel is adorned at its centre with a hippocamp. For comparison, see the gold ring from the Certosa tomb, preserved in the Museo Archeologico di Bologna.

SET OF TWO ORNAMENTAL SCONCES One depicts a winged bull in profile to the right, walking. This type of ornamental plaque was printed from a template and then cut out. There is a hanging hole at the back for the attachment. The other from the Ziwiye treasure shows a crouching ibex. Gold. H. 2 and 3.5 cm; 2.0 gr. Scythian and Achaemenid art, 8th-6th century BC Provenance Former Armand Trampitsch collection (1890-1970) Then by descent French private collection A Lot of 2 gold ornaments appliques in the shape of a winged bull (Achaemenid) and a crouched ibex (Scythian). 8th-6th century B.C.

SCYTHROBE Representing a stag. 3 rings at the back. Gold. H. 4.3 x W. 6 cm; 47 gr Scythian art, late 5th century BC Provenance Former A. Trampitsch Collection (1890-1970) Then by descent French private collection Accompanied by a gold analysis report by Prof. Jack Ogden, Striptwist Ltd, 13/05/2025 Fashioned from a single piece of thick hammered gold, this stag is a fine example of the 'animal style' art of the Eurasian steppes during the first millennium BC. As a Scythian ornament, it would have been used in the tradition of ostentation of wealth. The stag's large antlers extend backwards, while its legs are tucked under the body, suggesting rapid movement. As with other similar stag ornaments, the reverse features rings for attaching it to a garment. This example has three of them, attached using a gold and copper alloy, which was typical of the period. Comparable examples are in the Hermitage Museum in St Petersburg (J. Aruz, A. Farkas, A. Alekseev and E. Korolkova, The Golden Deer of Eurasia, GE 2498/1) and at the Cleveland Museum of Art, inv. no. 1985.77. A Scythian gold ornamental plaque in the shape of a stag. Ca. 5th century B.C. Fashioned from a single piece of thick, hammered gold, this stag is a fine example of the 'Animal Style' art of the Eurasian Steppe during the first millennium B.C. As a Scythian ornamental accessory, it would have been used in the tradition of wealth-display. The large antlers extend to the rear of the stag, and the legs are tucked underneath, indicating urgent motion. As with similar examples of stag ornaments, the reverse features hoops, with which to attach it to clothing. This example has three, attached using a gold-copper alloy, which was typical of the period. Similar examples can be found in The State Hermitage Museum, Saint Petersburg (J. Aruz, A. Farkas, A. Alekseev and E. Korolkova, The Golden Deer of Eurasia, GE 2498/1) and The Cleveland Museum of Art, Acc. No. 1985.77.

MEDALLION OR BULLA Embossed and incised gold. Stretching on the edge. Representing the bust of a female figure wearing a diadem (Aphrodite?). Two dolphins in the field. Frieze of ovals on the rim. This element, although now unattached, must have been a pendant. Gold. Diam. 6.3 cm; 12.1 g In a shaped case. Hellenistic art, 4th-3rd century BC Provenance Former Armand Trampitsch collection (1890-1970) Then by descent French private collection An Hellenistic gold repousse medallion/bulla with the bust of a goddess (probably Aphrodite). In the field, two dolphins. Ca. 4th-3rd century B.C.

RING set with a late Hellenistic cameo on amethyst. Bust of Niké. Cameo 19 x 25 mm; 19.86 g; TDD 541/2 Late Hellenistic art, 2nd-1st century BC Mounting with restoration mid 20th century A Late Hellenistic amethyst cameo mounted in a gold ring restaured in the 20th century massive 22k gold ring. Bust of Nike. 2nd-1st century B.C.

RING 22ct gold set with a roman intaglio on a cabochon sapphire. Allegorical emblem consisting of a shell from which emerges a hand holding a caduceus and a trident. The scene refers to the control of the seas and oceans and the protection of maritime trade (Poseidon and Mercury). The intense colour of the sapphire accentuates this allegory. Globular elements. Intaglio 9x10 mm; Pb 10.88 g; TDD 55 1/2 Republican art, 1st century BC Later mounting A Republican cabochon sapphire intaglio mounted on a later 22k massive gold ring. Allegorical emblema composed by a hand emerging from a seashell and holding the caduceus and the trident. Referring to the control of the Seas and Oceans and the protection of Sea-trade (Poseidon and Mercury). The intense blue colour emphasises the allegorical meaning. 1st century BCE

PAIR OF EARRINGS Shaped like a chevron hoop and ending with a pierced gold bead for the fastening. Gold. H. 2.5 cm; 10.9 cm. Southwest Asia, 8th-6th century BC Provenance Former Armand Trampitsch collection (1890-1970) Then by descent French private collection A Pair of South-Western Asian gold earrings. Ca. 8th-6th century B.C.

RING set with a roman intaglio on carnelian. The bezel is engraved with foliage and an inscription "AUD-MO" meaning AUDE MOVER "dare to move". The Roman intaglio shows Mars, the god of war, standing naked, holding a helmet in one hand and a spear and shield in the other (fracture). Gold and carnelian. TDD 60; Pb 11.1 g Italy or France, 14th-15th century Intaglio: 2nd century Provenance Former Armand Trampitsch collection (1890-1970) Then by descent French private collection A Renaissance gold ring, the bezel engraved with tendrils and an inscription "AUD-MO" meaning "AUDE-MOVER" "dare to move" and set with a Roman carnelian intaglio with a depiction of Mars (god of war). Italy or France circa 14th-15th century with an intaglio from the 2nd century A.D.

RING in gold, the oval bezel incised with foliage. In the centre, a Roman cameo on agate with two layers. Sphinx in profile to the left (nose missing). Mounted in 18 ct gold; TDD 59; Pb 5.9 g Work of the 19th century Cameo: Roman art, 1st-2nd century Provenance Former Armand Trampitsch collection (1890-1970) Then by descent French private collection A 19th century gold ring set with a large roman agate cameo. Winged sphinx. Ca. 1st-2nd century A.D.

RING 22 carat gold set with a roman intaglio on green chalcedony. Bust of Athena. Intaglio 7x9 mm; Pb 6.36 g; TDD 59 Roman art, 2nd century Later mounting A Roman green chalcedony intaglio mounted on a later 22k massive gold ring. Bust of Athena. 2nd century A.D.

RING 22ct gold set with a roman intaglio on amethyst. Victory writing on a shield. Intaglio 8x11 mm; Pb 7.72 g; TDD 56 Roman art, 1st-2nd century Later mounting A Roman amethyst intaglio mounted on a later 22k massive gold ring. Victory writing on a shield. 1st-2nd century A.D.

RING Gold ring set with an intaglio on amethyst depicting an eagle hunting prey. Gross weight: 9.6 g Roman art, 1st-2nd century Provenance Former A. Trampitsch Collection (1890-1970) Then by descent French private collection A gold ring set with a Roman amethyst intaglio. Eagle catching its prey. 1st-2nd century A.D.

RING 22ct gold set with a roman republican intaglio on carnelian. Juvenile portrait. Intaglio diam. 9 mm; Pb 10.85 g; TDD 54 Roman republican art, 1st century BC Later mounting A Republican carnelian intaglio mounted in a later 22k massive gold ring. Bust of a youth. 1st century BCE.

NECKLACE Reconstructed from turquoise pearls and spherical gold elements. Modern mounting and clasp. Total length 44 cm Sarmatian art, 3rd-1st century BC (for the beads) Provenance Former Armand Trampitsch collection (1890-1970) Then by descent French private collection A Restrung necklace (modern mounting and clasps) formed of Sarmatian turquoise and gold spherical beads. Ca. 3rd-1st century B.C.

LARGE ROMAN INTAGLIO on cabochon agate with three layers. Apollo standing leaning against a column, with tripod. He is holding an olive branch. Dim. 12x18x6,5 mm ; 2,18 g Roman art, 1st-2nd century A Roman three-layered agate intaglio. Apollo standing next a column and tripod and holding an olive branch. 1st-2nd century A.D.

AMULET IN THE SHAPE OF A CICADA carved in rock crystal. The head is pierced widthways and mounted on an 18 ct gold suspension ring. Slight chips on the wings. L. 28 mm (without ring); total L. 46 mm; weight: 7.04 g Roman art, 1st-2nd century A Roman rock crystal cicada with a later 18k gold suspension hoop. 1st-2nd century A.D.

MEDALLION PENDANT Comprising two disc-shaped plates welded together, the edge set with turquoise and agate. In the centre, a lapis cabochon surrounded by glass beads and stones alternating with gold thread in the shape of leaves. Two suspension rings. Gold and stones. Diam. 5 cm; weight 34.4 g Sarmatian art, 1st century BC Former Armand Trampitsch collection (1890-1970) Then by descent French private collection A Sarmatian gold pendation medallion. 1st century B.C.

MEROVINGIAN FIBULA Made from a bronze plate welded to a gold disc. Decorated with wire-drawing, and set with stones and glass. Gold, stone and glass. Diam. 3 cm; weight 12.4 g Merovingian art, 7th century Provenance Former Armand Trampitsch collection (1890-1970) Then by descent French private collection A Merovingian fibula with bronze and gold rounded sheets, set with sotnes and glass elements. Ca. 7th century A.D.

CAMEE on two-layered agate. Eagle holding a prey. Dim. 12x15x2 mm; thickness missing Work from the 12th-14th century (?) A Late Medieval double layered agate cameo figuring an eagle holding a prey. Circa 12th-14th century (?).

CAMEE on agate with two layers depicting the bust of Napoleon Bonaparte. 21 x 28 mm; 5.98 g 19th century work A similar cameo signed A.Berini is in the British Museum,1978,1002.998 A 19th century double layered agate cameo depicting the profile portrait of Napoleon Bonaparte. A similar cameo signed by A. Berini in British Museum, 1978, 1002.998

LARGE TOUR RING set with a large cameo on agate depicting a virile portrait in profile, close to Agrippa's portraits. Cameo 20x26 mm; Pb9.92 g; TDD52 Late 18th century A Late 18th century gold ring set with an agate cameo depicting a virile portrait close to Agrippa's.

RING 18ct gold set with a large Grand Tour intaglio on saguin jasper. The scene reproduces a marble relief from the Villa Albani (Rome, inv.948), a variant of which is cited among the works of the engraver Louis Pichler and entitled "Faune e Citeriste dall'antico". A faun is depicted facing a bacchante, both in an ecstatic dance. The engraving is of high quality, with great rendering of anatomical details. Slight signs of wear, and superficial crack. (cf. Impronte Paoletti, T.V, n°422). Intaglio 22x29 mm; Pb 14,45 g; TDD 59 Late 18th century work A Georgian large bloodstone intaglio set in a later 18k gold ring with a silver bezel setting, showingcasing a striking Grand Tour intaglio carved in sanguine jasper. The scene is inspired by a marble relief from Villa Albani, Rome (inv. 948), with a known variant attributed to renowned engraver Louis Pichler, titled "Faune e Citeriste dall'antico." A faun and a bacchante are captured in an ecstatic dance, rendered with remarkable anatomical precision. A collector's piece of superb craftsmanship. Minor wear and a superficial crack consistent with age.

RING set with a large neoclassical cameo on onyx. Female bust in profile to the right, presented with the attributes of Hera. Possibly a Napoleonic portrait. Cameo 22x31 mm; Pb 16.62 g; TDD 58 Early 19th century An early 19th century large layered onyx cameo mounted on a later gold ring. Bust of a woman, under the features of the goddess Juno, possibly a Napoleonic portrait.

GIOVANNI PICHLER (1734-1791) CAMEE WITH PORTRAIT OF ALEXANDER THE GREAT on a two-layered agate set in a patinated gold ring. The portrait of the conqueror is in profile to the right. Cameo 15 x 22 mm; tdd 53; Pb 10,42 g; Rome, circa 1770/80 Signed below the neck line "Π". By Giovanni Pichler (1734-1791). An agate cameo with the portrait of Alexander the Great and mounted in a gold ring. Signed "Π" under the neck line. Rome, circa 1770-80

19th century rose gold ring set with a cameo on onyx depicting the portrait of G. Washington. On the reverse, inscribed in cursive letters "Washington". Cameo diam. 17 mm; Pb 4.81 g; TDD 57 Victorian work, circa 1860/80 A Victorian gold ring set with an onyx cameo with the portrait of Georges Washington. Circa 1860-1880 Inscribed Washington on the backside of the stone.

NEO-RENAISSANCE PENDANT Enamelled yellow gold, centred on a Renaissance intaglio on agate depicting a female figure accompanied by an erect lion. Allegory of fertility, wealth and wild nature. Intaglio: Italian work, 17th century Mounting, circa 1850/70. Accompanied by a yellow gold chain. An 18k gold, enamel pendant, with its 18k gold chain and set with a Renaissance agate intaglio. RC : Pendant size: 4.5 x 3.2 cm. Chain length: 74 cm. Gross weight: 25.0 g (18k - 750).

WEDDING BELT BUCKLE Comprising large chased silver plates set with amethysts, turquoise and two large intaglios on carnelian depicting a double Star of David. Silver, amethysts, carnelian. L.17 cm; 189.5 g Eastern Europe, Bashkir culture, late 19th century Former Armand Trampitsch collection (1890-1970) Then by descent French private collection An Eastern European silver wedding belt buckle set with amethysts, turquoise and two large carnelian intaglios with David cross. Late 19th century

GOLD SET INCLUDING - AKAN WEIGHT Transformed into a brooch, this weight in the shape of a tree of life (?) or sceptre is formed by a twisted column from which volutes emerge. Height 6.7 cm - PAIR OF AKAN PENDANTS Sun-shaped, formed by a long cable wound into spirals and embellished with rays and a cable around the edge. The pendant consists of a rod and a braided ring for hanging. H. 5.5 cm - AKAN PIN in the form of a finished arch with 3 spirals at the ends and in the centre. L. 5.5 cm Modern work Akan culture, modern work .

KNIGHT'S RING The square-shaped bezel is engraved with a scene featuring two figures, one holding a spear. The cornice is piqueted and decorated with engraved waves on the rim, with a remnant of blue enamel. Gold and enamel. TDD 66; 20.4 g Anglo-Saxon style Provenance Former Armand Trampitsch collection (1890-1970) Then by descent French private collection A Saxon style gold and enamel signet ring.

RING Yellow gold and moonstone Probably antique style. 21,1 g A gold ring set with a large cabochon moon stone.

FUNERAL BOAT Polychrome carved wood. L. 24.5 cm Egypt, Middle Kingdom, ca. 12th dynasty, 1900 BC Provenance Former A. Rehman Collection, 1985 Ex- Artemission, Atticart Ltd, London, 2019 An Egyptian wooden funerary boat. Middle-Kingdom, ca. 1900 B.C.

FRAGMENT OF TALAT Orange sandstone. H. 23 x W. 37 x D. 3 cm. Restored. Egypt, Amarna period (?) Depicting two gazelles and a plant (?) An Egyptian sandstone fragmentary relief. Possibly an Amarnian Talat with two gazelles and a vegetal symbol.

WEIGHT Granite Diam. 3.6 cm Egypt, New Kingdom, 19th - 10th dynasty Provenance Former English collection, circa 1990 Engraved on one side of a cartouche reading "nfr-ntr-nb-Mꜣꜥ-Rr.w"-the perfect god, Lord (justified in the Hereafter). This is a posthumous or honorific formula. An Egyptian granite weight with honorific inscription in a cartouche. New-Kingdom, ca. Dynasty 19-20

FEMALE STATUETTE Ivory H. 11.2 cm Egypt, Late Period, ca. 6th-4th century BC Provenance Arts d'Orient, Hôtel Drouot, Paris, 25-26 September 1997, lot 301 Ex Christie's London, 20/04/2005, lot 58 Wearing a short notched wig, standing, arms at sides, with finely modelled breasts and buttocks, navel indicated. Feet missing. An Egyptian ivory standing female figure. Ca. 6th-4th century B.C.

OUCHEBTI Enamelled frit. H. 9.5 cm Egypt, Late Period, 664-332 BC Provenance Former French private collection, collected 1960-1070 Then by descent Private collection acquired on the Paris art market Standing figure in his mummiform girdle, hands crossed over his chest. He is wearing a tripartite wig and a false beard. On the body, a central column engraved with hieroglyphic text. On the back, a dorsal column engraved with hieroglyphic text. An Egyptian Late Period green faience ushabti. Ca. 664-332 B.C.

OUCHEBTI Blue and black glazed earthenware H. 13 cm Egypt, Ramesside period, 20th dynasty, ca. 1189 to 1077 BC Provenance Former Paris collection, 1980-2000 An Egyptian blue and black glazed faience ushabti. Dynasty 20th, ca. 1189-1077 B.C.

FIGURE OF ANUBIS Polychrome carved wood, H. 4.5 cm x W. 10 cm Egypt, Late Period, Dynasty XXVI - XXX, 662-300 BC Provenance Former H.A. Collection, New Jersey, 1990s Ex- Explorer Ancient Art, Mark Goodstein, 2019 An Egyptian wooden figure of crouched Anubis. Late Period, 664-332 B.C.

SMALL JAR With head of Hathor in anthropomorphic and zoomorphic relief (Apis bull). Terracotta. Height 11 cm Egypt, New Kingdom, c. 1200 BC An Egyptian New-Kingdom terracotta jar with Hathoric heads. Ca. 1200 B.C.

JARRE With oblong body and flat disc-shaped base. Lip with beading and rim. Alabaster. H. 27 cm, Diam. 13.5 cm Egypt, Late Period, 664-332 BC A Late Period alabaster jar. 664-332 B.C.

FRAGMENT OF A SARCOPHAGUS Painted with the djed pillar topped with the atef crown. This type of symbol was frequently painted on the bottoms of sarcophagus vats. H. 79.5 cm Egypt, late New Kingdom to Late Period, circa 1025 - 334 BC BC Provenance Former B.Eyerhalde Collection (1933-2012) An Egyptian wooden fragment of a sarcophagus. New-Kingdom to Late Period, ca. 1025-334 B.C.

FRAGMENT OF MUMMY CARTONNAGE Depicting the winged goddess Isis Polychrome stuccoed cardboard. 33 x 11 cm (Minor restoration) Egypt, Late New Kingdom, 3rd Intermediate Period

SARCOPHAGUS TANK MASK Wood and pigments. H. 49 x W. 37 cm Egypt, New Kingdom, c. 1200 BC Provenance Former collection of the expert Slitine, 1970s-1980s A Large Sarcophagus wooden painted mask. Ca. 1200 B.C.

STATUETTE OF HARPOCRATES Bronze with green patina. Height 12 cm Egypt, Third Intermediate to Late Period, circa 795-334 BC Provenance Former private collection French private collection, in the same family since the 1980s Seated figure, feet resting on a qaudrangular plinth. The child Horus is naked, wearing a skullcap flanked by the uraeus and the wick of childhood. Beautifully preserved. An Egyptian Bronze seated Harpokrates. Third Intermediate Period to Late Period, ca. 795-334 B.C.

STATUETTE OF SEKHMET Bronze with green patina. H. 23 cm Egypt, Late Period, 664-525 BC Provenance Former French collection from 1960-1980, acquired orally at Hôtel Drouot By inheritance With Me Challot, 21/08/2021 The goddess is shown seated in human form with the head of a lioness. She is wearing a tripartite wig with stripes, revealing part of her luxuriant mane. Her head is surmounted by the uraeus. Bare-chested, she is dressed in a loincloth with finely incised folds. Bracelets adorn her arms. The incisions on the face, headdress and uraeus are still in an exceptional state of preservation. An Egyptian bronze statuette of Sekhmet. 664-525 B.C.

STATUETTE OF AN APIS BULL Bronze with dark patina. H. 17.8 x W. 19 x D. 5 cm Egypt, Late Period, ca. 664-525 BC Provenance Former private collection, Israel, 1970s The figure of the divine bull is shown in a characteristic walking stance, wearing the elaborate lunar crown around its horns. An Egyptian bronze Apis bull. Late Period. 664-525 B.C.

STATUETTE OF PTAH Bronze H. 5.4 cm Egypt, Late Period, 664-332 BC Provenance Former collection of Mr L.Verviers, built up between 1960 and 1990 Belgian Estate An Egyptian Bronze figure of Ptah. Late Period, 664-332 B.C.

STATUETTE OF HARPOCRATES Bronze and gilding H. 7.8 cm Egypt, Late Period, 664-332 BC Provenance Former K.R. Collection, Germany, 1980-2000 Ex-Gorny & Mosch, 14/12/2022, lot 217 Seated, naked figure. Shaved head, wearing a childhood lock of hair (gold). An Egyptian bronze and partially gilded figure of Harpocrates. Late Period, 664-332 B.C.

PTAH HEAD Limestone and trace of copper alloy. H. 2.7 cm Egypt, Late Period, 712-332 BC Provenance Former Friedhelm Stier collection, acquired 1960-1970 Friedhelm Stier was a Limburg dentist and a great connoisseur of Etruscan art. Hermann Historica Auktionen, Munich, 11/10/2015, lot 3509 Galerie Ostracon, Switzerland, 11/07/2018 An Egyptian limestone head of Ptah statuette. Late Period, 664-332 B.C.