EGYPTIAN POLYCHROME POTTERY JAR WITH WEDJAT EYES AND ANKH SYMBOLS. New Kingdom, Ca. 1550 - 1069 BC. A large pottery jar with a biconical body tapering towards a pointed base and a tall neck with an outward-flaring rim. The upper body and neck are painted in red, blue, and black on a buff ground, with continuous horizontal bands and a main frieze of two large Wedjat eyes alternating with two ankh signs, each flanked by stylised feathers and floral elements. Size: 480mm x 330mm; Weight: 5kg Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This piece is accompanied by an authentication statement from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN PAINTED POTTERY JAR WITH LOTUS FLOWERS, PAPYRUS STEMS AND ANKHS. New Kingdom, Ca. 1550 - 1069 BC. A large pottery jar with a biconical body tapering to a pointed base and a tall neck with an outward-flaring rim. The surface is painted in red, blue, and black on a buff ground. The neck is decorated with two registers of vertical petals framed by horizontal bands. The main frieze on the shoulder comprises two stylised lotus flowers with upward-curving stems, a large ankh sign flanked by paired papyrus stalks, and a second ankh flanked by Nilotic plants. The decoration is bounded above and below by horizontal tricolour bands. For similar see: The Brooklyn Museum, Accession Number 16.140. Size: 520mm x 400mm; Weight: 8.3kg Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This piece is accompanied by an authentication statement from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN GRANODIORITE HEAD OF THE GOD AMUN WITH THE FEATURES OF KING TUTANKHAMUN. Late 18th Dynasty, Ca. 1336 - 1295 BC. A remarkably rare black stone (granodiorite) head of god Amun, with a braided beard and a flat cap. His small eyes are separated by a curved depression from the rounded brow ridge; his broad face shows full lips with sharp contours, and, from the side, a slightly drooping chin. The depiction of the god resembles the facial features of King Tutankhamun. The carving is of fine quality, suggesting the religious importance that this piece played in antiquity. The item is accompanied by a high-quality custom-made stand. For similar see: The Metropolitan Museum of Art, Object Number: 07.228.34; Christie's, Live Auction 21930, Ancient to Modern Art from the Mougins Museum of Classical Art, Part I, 7 Dec 2023, Lot 8. For similar see: The Metropolitan Museum of Art, Object Number: 07.228.34; Christie's, Live Auction 21930, Ancient to Modern Art from the Mougins Museum of Classical Art, Part I, 7 Dec 2023, Lot 8. Size: 145mm x 140mm; Weight: 4.05kg. Provenance: Prince collection, 1990s-2014; Ex. Sycomore Ancient Art 2002. This piece is accompanied by an authentication report from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN SANDSTONE VOTIVE STELA OF THE PRIEST DJEHUTYMOSE DEDICATED TO PTAH AND SEKHMET. Third Intermediate Period, XXII Dynasty Ca. 1068-525 BC . A rectangular sandstone stele with a domed top, finely carved. The composition presents the lion-headed goddess Sekhmet standing in profile to the right, wearing a tripartite wig and a sun disk. She faces the god Ptah, who is partially preserved, holding a was-sceptre. The Horizontal hieroglyphic inscription atop the god reads: "Ptah Lord of Maat, chief of the gods". In front of the goddess Sekhmet, two columns of hieroglyphic text read: “Sekhmet the Great, beloved of Ptah, Mistress of the Sky, Mistress of all Gods.” In the second register, on the right side, Djehutymose is kneeling in adoration gesture, leftward. In front of him, six column of hieroglyphic text reads from left to tight: 'Give adotations to Ptah beautiful of face, kiss the ground for Sekhmet Lady of the Two Lans by the Uab-priest chief of the altar in the temple of Ptah Djehutymose' (he say): 'Adorations ti thee father of the gosd, who rised the sky, who created the heart. May give you to me life, prosperity, health...'. A modern suspension perforation is drilled through the upper section.Size: 510mm x 335mm; Weight: 12.7kgProvenance: Property of a central London gallery, previously acquired on the Dutch art market in the 1990s.This piece is accompanied by an authentication report from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN SANDSTONE RELIEF DEPICTING WORSHIPPERS. Old Kingdom to New Kingdom, Ca. 2400 - 1200 BC. A fragmentary rectangular sandstone relief depicting two male figures in profile facing right. The figure at left carries a pole over the shoulder with suspended offerings, while the figure at right holds a large fish across the torso. The top edge retains a horizontal border. Mounted on a modern support. For similar see: Christie's, Online Auction 22758, Works of Art from the Mougins Museum of Classical Art, Online, Lot. 104. Size: 390mm x 455mm; Weight: 8.3kg Provenance: Private London collection, acquired on the French art market. Accompanied by a certificate of authenticity showing on the front a photograph of the bas-relief and on the back the appraisal dated July 15, 1975. Original invoice dated April 2, 1975. Accompanied by a French Export license and passport. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN LIMESTONE RELIEF WITH NILOTIC SCENE. New Kingdom, Ca. 1550 - 1069 BC. A rectangular fragment of limestone carved in low relief and painted in red, black, and ochre tones. The composition depicts a fisherman standing on the prow of a boat. In the upper right, several fish are shown swimming, while on the left, disembodied legs suggest a figure either entering or exiting the water. Size: 310mm x 230mm; Weight: 4.58kg Provenance: Prince collection, 1990s-2014; Ex. Private French collection, 1970s. Published: Guenter Roeder: "Amarna-Reliefs Aus Hermopolis", 1969, Tafel 187. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN LIMESTONE TALATAT BLOCK WITH SUNK RELIEF SCENE OF ANTELOPE CAPTURE. New Kingdom, Ca. 1550 - 1069 BC. A nearly square limestone block carved in sunk relief with a depiction of an antelope striding to the left, its body rendered in profile with slender body and elongated limbs. The animal’s form is defined by incised contour lines and filled with orange pigment. Human hands are shown grasping the antelope from above, suggesting a capture scene. Size: 240mm x 235mm; Weight: 4.11kg Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. Published: Philipp Von Zabern: Egypte Moments d'eternite, Musees D'Art Et D'Histoire, Geneve, 25 Septembre 1997 - 11 Janvier 1998. This piece is accompanied by an authentication statement from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN, AMARNA PERIOD LIMESTONE RELIEF. Amarna Period, Ca. 1353 - 1336 BC. A fragment of limestone relief, preserving the profile of a royal figure facing right. The head is elongated in typical Amarna style, with a prominent jawline and slender neck. The figure wears a blue-painted close-fitting cap crown. Traces of red pigment remain across the face. Size: 330mm x 195mm; Weight: 3.27kg Provenance: Prince collection, 1990s-2014; Ex. Rupert Wace, 2008. Published: Guenter Roeder: "Amarna-Reliefs Aus Hermopolis", 1969, Tafel 185. This piece is accompanied by an authentication report from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

LARGE EGYPTIAN GRANITE FUNERARY STELA OF THE LECTOR-PRIEST BAKY AND HIS WIFE RUIU. New Kingdom, XVIIIth Dynasty reign of Thutmose III, Ca. 1504-1450 BC . A very rare black granite round topped funerary stela of the ' third lector-priest, pure of hands in the temple of Montu ', 'Overseer of the priests of Montu' Baky and his wife "the mistress of the house" Ruiu. The stela is divided into two registers: in the lunette, on the right - Baky and Ruiu are seated in front of an offerings table with food, on the left of which is a standing man in a consecration gesture: he is her son the third lector-priest Samontu. The second register presents a similar scene, unfortunately, the surface of the stela is worn. On the right, Baky and Ruiu are seated in front of an offering table. On the other side, another couple's son Djehuty is depicted in a consecration gesture. The vertical text behind him, James another son: Menkheperre-seneb. This anthtoponym, basilophore formed with the prenome of the great pharaoh Thutmosis III, helps to date the stela with certain precision. In the lower portion of the stela in the right are still visible the beginning of the remains of a hieroglyphic text in three lines a with the hetep di nesut formula: ' A boon which king gives to Montu......priests.....(may) they give invocation offering of bread and beer oxen and fowl..." For similar see: The British Museum, Museum number EA561. Size: 660mm x 450mm; Weight: over 25kg Provenance: London collection, acquired on the UK art market; Ex. Mayfair collection, acquired from an Ancient Art gallery; Ex. German art market; Ex. Hamburg private estate collection Germany, acquired in Switzerland in the 1970s.This piece is accompanied by an authentication report from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

RARE LIFE-SIZE EGYPTIAN STONE CAT / SEKHMET. Late Period to Ptolemaic, Ca. 664 - 30 BC. A limestone sculpture depicting a seated feline with front paws extended and hind legs folded beneath the body. The head is held upright with upward-facing ears, prominent cheeks, and a short, rounded snout. The eyes are closed, and the mouth is slightly curved. The animal sits atop an integral rectangular base. For similar see: The British Museum, Museum number 1905,0612.3. Size: 400mm x 160mm; Weight: 13.9kg Provenance: Private London collection, acquired on the French art market; Ex. old collection from the 1930s-40s based on the red fabric attached under the statue. Accompanied by a French Export License. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN SANDSTONE RELIEF FRAGMENT WITH OFFERING SCENE. New Kingdom, Ca. 1550 - 1069 BC. A sandstone relief fragment preserving part of a horizontal register with two male figures carved in sunk relief. Both are depicted in profile facing right, wearing close-fitting caps and raising their right arms. Resting across their shoulders is a long, horizontal object carried by both figures, terminating at one end in a trefoil-shaped finial. Size: 530mm x 205mm; Weight: 5.74kg Provenance: Prince collection, 1990s-2014; Ex. Gallery Gunter Puhze. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN WOODEN LID OF SARCOPHAGUS. Late Period, Ca. 664 - 332 BC. A painted wooden lid of a sarcophagus, depicting a mummiform figure with a broad collar composed of rows of multi-coloured beads, the face painted in reddish tones with large, outlined eyes and arched brows, framed by a tripartite wig. The decoration is executed in polychrome over a layer of gesso. The body tapers towards the feet, with a band of hieroglyphic text preserved along the foot section. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. For similar see: G. Giovetti e D. Picchi, Egitto, Splendore Millenario, La collezione di Leiden a Bologna, Kira Editore, 2025, p. 4598, VII. 42. Size: 1780mm x 410mm; Weight: over 50kg Provenance: Private UK collection; acquired on the Spanish art market; Ex. private collection, France, formed in the early 20th century. Accompanied by a Spanish Export license. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN IVORY AND WOOD COSMETIC VESSEL IN THE FORM OF A GRASSHOPPER. Late 18th Dynasty, Ca. 1350 - 1340 BC. A cosmetic container carved in the form of a grasshopper with a segmented body and upper wings made from painted ivory. The head is inset with black eyes and the lower wings are rendered in wood. The wings swing outward to reveal a small oval cavity hollowed into the body intended to hold kohl or perfume. The upper wings are decorated with a subtle checkerboard pattern. Previously part of the Guennol Collection, this collection also included the Guennol Lioness, the most expensive ancient object ever sold at auction ($57.2 million at Sotheby's). Size: 21.9mm x 88mm; Weight: 19.7g Provenance: Prince collection, 1990s-2014, acquired on the US art market, 2007 from Merrin gallery (original invoice to accompany the purchase); Ex. Collections: Howard Carter, London; Joseph Brummer, New York; Guennol Collection, New York; Private Collection, USA. exibited: The Metropolitan Museum of Art, 1969; ex. The Brooklyn Museum Bulletin, X.1, 1948. Originally sold for 1.2 million USD, original invoice to accompany the item. Published: The Brooklyn Museum Bulletin, X.1, 1948, pp. 1ff., figs 1-4, ill. Cover. Aldred, “New Kingdom Art in Ancient Egypt Durnig the Eighteenth Dynasty: “1590-1315 BC”., London, 1951, no 97; C. Singer, E.J. Holmyard, and A.R. Hall, EDS., “A History of Technology. Exhibited: The Metropolitan Museum of Art, 1969; The Guennol Collection: Cabinet of Wonders at the Brooklyn Museum of art, February 25- May 7, 2000; On exhibition at the Brooklyn Museum from 1948 - 2002. Accompanied by an Ivory Act 2018 certificate. This item has been cleared against the Art Loss Register database and comes with an Art Loss Letter - Search no. S00259386.

RARE EGYPTIAN PAINTED TERRACOTTA FERTILITY FIGURE. Middle Kingdom, 13th Dynasty, Ca. 1803 - 1649 BC. A painted terracotta figure depicting a standing female with elongated proportions. The face is framed by a thick wig painted in alternating black, white and red stripes. The torso is decorated with a regular arrangement of painted dots, and both arms extend straight down alongside the body. The reverse is plain. Size: 140mm x 30mm; Weight: 50g Provenance: Prince collection, 1990s-2014; Ex. Rupert Wace. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

RARE EGYPTIAN WOODEN PADDLE DOLL. 11th-13th Dynasty, Ca. 2130 – 1650 BC. A wooden figurine with a flat, paddle-shaped body tapering at the top and widening towards the rounded base. The lower section is painted with a checkerboard pattern in red and black. A modelled head made of unbaked clay is attached to the top, with eyes and mouth inlaid using small circular beads. The figure has rudimentary side projections for arms and a stylised wig composed of long strands of disc beads attached on either side of the head. For similar see: The Brooklyn Museum, Accession Number 16.84; The Metropolitan Museum of Art, Object Number: 31.3.35a, b; D. Patch, Ancient Egypt Transformed. The Middle Kingdom, exhibition catalogue, New York, 2015, pp. 106-107, no. 47. Size: 205mm x 55mm; Weight: 45g Provenance: Prince collection, 1990s-2014; Ex. Galerie Gilgamesh Archeologie Meitterraneenne & Orientale. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

LARGE EGYPTIAN WOODEN SARCOPHAGUS MASK. Late Period, Ca. 664 - 332 BC. A broad carved wooden sarcophagus mask depicting a stylised male face with a tripartite wig extending over the shoulders and a long false beard. The face is defined by a straight nose, prominent lips, and recessed eye sockets fitted with eyes framed in bronze. The reverse is hollowed and retains rectangular mortise slots at either side for attachment. For similar see: Egiitto splendore millenariom la collezione di Leiden a Bologna, Skira Editore, Cat. VII.50. Size: 550mm x 470mm; Weight: 7.1kg Provenance: Property of an Oxfordshire art professional; previously in an old Canadian collection of F. N., Ontario, formed in the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

LARGE EGYPTIAN WOODEN SARCOPHAGUS MASK. Late Period, Ca. 664 - 332 BC. A carved wooden mummy mask with a broad tripartite wig and an elongated false beard. The facial features include a prominent nose, full lips, and wide-set eyes beneath defined brows. The back is deeply hollowed and includes rectangular slots at the edges for attachment. Size: 600mm x 510mm; Weight: 7kg Provenance: Private London collection, acquired on the French art market; Ex. VDW Private Collection, Hoofddorp, Netherlands (established before 1983). Accompanied by a French Export license and passport. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

SUPERB EGYPTIAN WOODEN USHABTI. New Kingdom, Ca. 1550 - 1069 BC. A wooden ushabti figure of mummiform type, with the arms crossed over the chest and the hands emerging to hold agricultural tools. The head is framed by a tripartite wig falling to the shoulders. The face is modelled with almond-shaped eyes beneath arched brows, a straight nose, and full, defined lips. Mounted on a modern display base. For similar see: Christie's, Online Auction 18863, Antiquities, Lot. 2; Live Auction 1446, Antiquities, Lot. 353. Size: 230mm x 60mm; Weight: 135g Provenance: Private London collection, acquired on the French art market; formerly with Henri Ribère label, 1897-1956, acquired from Roger Delagarde. Accompanied by a French Export License. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

SUPERB EGYPTIAN CERAMIC USHABTI OF THE INFANTRYMAN KHAIY. New Kingdom, Ca. 1550 - 1069 BC. A ceramic ushabti with a tripartite wig and crossed arms holding agricultural implements. The face is rounded, with defined lips and prominent eyes. The mummiform body bears hieroglyphic inscriptions arranged in vertical columns on the front and both sides, while the back remains plain. Mounted on a custom black stand. For similar see: The Metropolitan Museum of Art, Object Number: 30.8.57. Size: 320mm x 100mm; Weight: 1.6kg Provenance: Private London collection, acquired on the French art market. Accompanied by a French Export license and passport. This piece is accompanied by an authentication report from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN LIMESTONE FUNERARY OFFERING TABLE OF THE LADY MERET-TETI. Old Kingdom, VI Dynasty, reign of king Teti Ca. 2345-2333 BC. A rectangular limestone offering table with a raised outer border and recessed central basin, carved in low relief with an image of piled offerings beneath a curved arch. The composition includes stylised representations of food items such as bread loaves, rendered within the central niche. A broad spout extends from the lower edge, flanked by incised channels to guide the flow of libations. Hieroglyphic inscriptions ('hetep di nesut formula ') are incised, in crude style, along the vertical and horizontal margins, invoking offering formulas for the sustenance of the deceased, a woman called Meret-Teti. This female anthroponym basilophorus, formed with the name of king Teti (Ca. 2345 - 2333 BC), first ruler of VIth Dynasty, suggests a dating for this offering table to the reign of this sovereign.For similar see: The Metropolitan Museum of Art, Object Number: 15.3.1150.Size: 420mm x 350mm; Weight: 22.03kgProvenance: Private London collection; acquired on the US art market; Ex. Paul S. Forbes collection, Maryland, acquired in the 1970s from David Liebert, Time Machine, NYC.; Ex. Harmer Rooke Galleries, NYC.This piece is accompanied by an authentication statement from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

RARE EGYPTIAN BRONZE STATUETTE OF AMUN KHNUM. Third Intermediate Period - Late Period, Ca. 1069 - 332 BC. A bronze statuette of the god Amun depicted nude and striding forward with the left leg advanced. The figure is criocephalic, bearing a ram's head with curved horns, and wears a tripartite wig surmounted by the Red Crown of Lower Egypt. Traces of gilding are visible on the eyes, the base of the crown and on the wig. Size: 240mm x 60mm; Weight: 910g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

RARE EGYPTIAN GRANITE HEAD OF A MALE VOTARY. Ptolemaic Period, Ca. 200 - 30 BC. A head carved from granodiorite, representing a male votary with naturalistic facial features. The face is broad, with small, recessed eyes, a flattened nose, and a prominent brow. The top of the skull is partially bald, and shallow horizontal lines are visible across the forehead. At the back, a rectangular dorsal pillar extends vertically and widens slightly towards the base. The surface is finely worked with a mottled black and pink crystalline structure.Size: 95mm x 90mm; Weight: 1.04kgProvenance: Prince collection, 1990s-2014; Ex. Collector's Eye - Thalassic Collection. Publication: E. Vasilika, The Collector's Eye. Masterpieces of Egyptian Art from The Thalassic Collection, Ltd, Atlanta, 2001, pp. 54-55, no. 26.This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN BRECCIA STONE VESSEL. Old Kingdom, Ca. 2900 - 2240 BC. A vessel carved from breccia with a distinct variegated upper section marked by reddish and cream-coloured inclusions, transitioning to a lighter, beige-toned lower body. The form consists of a tapering oblong profile with a narrow, flat base, a rounded shoulder, and an annular lip with a flattened rim. Two small pierced horizontal handles are positioned at the upper midsection. For similar see: Egypt. Three Thousand Years of Decorative Art. Myers Museum. Eton College Collection, exhibition catalogue, Bordeaux, 2007, Cat. E79. Size: 80mm x 50mm; Weight: 200g Provenance: Prince collection, 1990s-2014; Ex. Malte & Janie Peters, 16 August 2010. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

RARE EGYPTIAN TURQUOISE GLAZED FAIENCE HATHOR SISTRUM. Late Period, Ca. 664 - 332 BC. A turquoise glazed faience fragment from a sistrum, modelled with the janiform head of Hathor, each face framed by a tripartite wig finely incised with parallel striations and curls at the ends. The goddess wears a broad usekh collar rendered with geometric motifs in raised relief. Above the head is a uraeus frieze, comprising rearing cobras with sun-discs, aligned atop a platform. Mounted on a modern stand. For similar see: The Rijksmuseum van Oudheden, Inventory number: AD 34a. Size: 110mm x 75mm; Weight: 290g Provenance: Prince collection, 1990s-2014; Ex. Robert Bigler, 30 June 2008. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

LARGE EGYPTIAN FAIENCE FROG AMULET. Ca. 664 - 30 BC. A pale green faience amulet in the form of a squatting frog, modelled in high relief atop an oval base. The body is rendered with folded limbs, the head slightly raised and tapering forward with incised linear detail indicating the spine. For similar see: Christie's, Live Auction 2770, Ancient Jewelry, Lot 336. Size: 35mm x 25mm; Weight: 16g Provenance: Private UK collection; from an old British collection; Ex. Bonhams; previously with Petit Musée, Montreal; Harry Toulch collection, Montreal, acquired from the above 8 June 1996. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN BRONZE INLAID APPLIQUE OF URAEUS - MUSEUM EXHIBITED. Third Intermediate Period to Late Period, Ca. 1069 - 332 BC. A fine cast bronze uraeus pendant or latch. It has an undulated body, flared hood and a sun disc on top of its head. The hood is inset with turquoise, red and yellow inlays. For similar see: Egyptian museum of Turin, Inv. no: Cat. 961. Size: 75mm x 25mm; Weight: 50g Provenance: Property of a London art gallery, acquired on the US art market; Ex. Dr. W. Benson Harer collection, LA. Purchased from a French provincial estate sale. 9/28/1994, Petit Musee, Paris. Ex. Ambassador Aroucho from Costa Rica to Egypt, under Nasser. Exhibited: San Bernardino County Museum and Cal. State, 1998 - 2021. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

MAGNIFICENT EGYPTIAN PAINTED ALABASTER CERIMONIAL JAR. New Kingdom, Ca. 1550 - 1069 BC. A ceremonial jar carved from alabaster with a tubular body ending in a rounded base and a straight cylindrical rim. The upper portion is decorated with a painted frieze of stylised lotus columns. Below, a large central panel depicts a vertical arrangement of three floral elements: a lotus blossom flanked by two poppy seed capsules. For similar see: Egiitto splendore millenariom la collezione di Leiden a Bologna, Skira Editore, Cat. VI.33 and VI.34; For similar see: A. Bevan, Stone Vessel and Values in The Bronze Age Mediterranean, Cambridge, University college London, Institute of Archaeology, 2007; p.147. Size: 300mm x 160mm; Weight: 3.83kg Provenance: Prince collection, 1990s-2014; Ex. Collector's Eye - Thalassic Collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. Lot. 42. Lot 74C. This piece is accompanied by an authentication report from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN PAINTED ALABASTER CERIMONIAL JAR. New Kingdom, Ca. 1550 - 1069 BC. A ceremonial jar carved from alabaster with an ovoid body and short cylindrical neck. One side bears a large painted image of a spread-winged falcon. The upper register is encircled with a continuous floral frieze depicting stylised lotus columns in alternating hues. On the opposite side, a vertical hieroglyphic inscription is painted in blue, including two cartouches. For similar see: Egiitto splendore millenariom la collezione di Leiden a Bologna, Skira Editore, Cat. VI.33 and VI.34; For similar see: A. Bevan, Stone Vessel and Values in The Bronze Age Mediterranean, Cambridge, University college London, Institute of Archaeology, 2007; p.147. Size: 280mm x 220mm; Weight: 5.38kg Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This piece is accompanied by an authentication report from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN PAINTED POTTERY JAR WITH NILOTIC PLANTS. Amarna Period, Ca. 1353 - 1336 BC. A large pottery jar with a biconical body tapering to a pointed base, surmounted by a tall neck with an outward-flaring rim. The surface is painted in red, blue, and black on a buff ground. The shoulder and neck are encircled by a continuous frieze of stylised Nilotic plants, separated by horizontal tricolour bands. For similar see: The Metropolitan Museum of Art, Object Number: 55.92.2. Size: 510mm x 390mm; Weight: 7.8kg Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s. This piece is accompanied by an authentication statement from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN POLYCHROME TERRACOTTA VASE WITH LOTUS BLOOMS, WAS-SCEPTRE AND ANKH. New Kingdom, Ca. 1550 - 1069 BC. A terracotta vase with an elongated ovoid body tapering towards a pointed base. The surface is painted in blue, black, and red pigments on a reddish-orange ground. The upper section is encircled by a register of lotus buds, bordered by horizontal bands. Below, the central register displays a large ankh sign flanked by a was-sceptre and a djed pillar, with lotus blossoms on either side. For similar see: The Brooklyn Museum, Accession Number 25.858. Size: 320mm x 130 mm; Weight: 1.5kg Provenance: Prince collection, 1990s-2014; Ex. GUERLIND, Bd. Royal 1, Luxemburg, Grand-Duche de Luxemburg. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN BLACK-TOPPED POTTERY JAR. Predynastic Period, Ca. 4000 - 3000 BC. A black-topped pottery jar with a rounded body tapering towards a flat base and a short neck with a slightly flared rim. The surface is burnished, with a reddish lower portion and a darkened upper section. For similar see: Museo Internazionale della ceramica di faenza, guida alla sezione del vicino oriente ed Egitto antichi, Emil edzioni, 2020, n. 1 p. 20; The British Museum, Museum number EA67419. Size: 140mm x 100mm; Weight: 335g Provenance: London collection; Ex. Mayfair collection, acquired from an Ancient Art gallery; formerly acquired on the London art market pre-2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.

EGYPTIAN WOODEN FIGURINES FROM A CEREMONIAL BOAT. Middle Kingdom, Ca. 2055 - 1790 BC. A collection of painted wooden components from an Egyptian ceremonial boat, including two kneeling male figures with red-painted bodies and white kilts, a rectangular chest painted in red and black, and two angled bollards. The elements are set on a modern acrylic base replicating the original layout of the boat. For similar see: The British Museum, Museum number EA35204. Size: 115-225mm x 30-40mm; Weight: 900g Provenance: Prince collection, 1990s-2014; Ex. Boisgirard, 26 February 2003. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

RARE EGYPTIAN LIMESTONE CANOPIC JAR WITH INSCRIPTION AND FALCON-HEADED LID. Third Intermediate Period, Ca. 1069 - 664 BC. A canopic jar carved from pale limestone, with a tall tapering body and an incised vertical panel of hieroglyphic inscription in contrasting pigment. The lid is sculpted in the form of a falcon head, representing Qebehsenuef, guardian of the intestines. For similar see: Berlev, O., Hodjash, S., Catalogue of the Monuments of Ancient Egypt: From the Museums of the Russian Federation, Ukraine, Bielorussia, Caucasus, Middle Asia and the Baltic States, 1998, Zurich University, Plate 149, IX.2, Plate 153. IX.31.1; The Walters Art Museum, Accession Number VO.7 (41.171, 41.172, 41.173, 41.174); The Metropolitan Museum of Art, Object Number: 28.3.59a, b; Bonhams, Antiquities, 28 November 2019, Lot 177. Size: 305mm x 115mm; Weight: 3.85kg Provenance: Prince collection, 1990s-2014; Ex. Robert Bigler, 13 November 2003. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

RARE EGYPTIAN ALABASTER CANOPIC JAR WITH HUMAN-HEADED LID (IMSETY). Late Period, probably 26th Dynasty, Ca. 664 - 525 BC. A canopic jar with a smooth, tapering ovoid body carved from banded alabaster, surmounted by a lid in the form of a human-headed figure representing the deity Imsety, protector of the liver. For similar see: Berlev, O., Hodjash, S., Catalogue of the Monuments of Ancient Egypt: From the Museums of the Russian Federation, Ukraine, Bielorussia, Caucasus, Middle Asia and the Baltic States, 1998, Zurich University, Plate 150, IX.3; Sotheby's, Ancient Egyptian Sculpture & Works of Art, 15 December 2016, Lot 8; The British Museum, Museum number EA36625.; Christie's, Live Auction 1446 Antiquities, Lot. 351 Size: 355mm x 160mm; Weight: 10.16kg Provenance: Prince collection, 1990s-2014; Ex. SCP Pierre-Pascal Guizzetti et Thierry Collet. This piece is accompanied by an authentication statement from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN PAINTED POTTERY JAR WITH HATORIC RELIEF. New Kingdom, Ca. 1550 - 1069 BC. A wheel-made pottery jar with a tall, upright body and a prominent lower section tapering to a rounded base, its profile articulated by a series of torus-like mouldings. The upper register is encircled by a frieze of applied relief figures, depicting five standing female figures alternating with four pairs of columns surmounted by Hathor heads. The reliefs are highlighted in red and blue pigments against a buff ground, with additional traces of colour on the moulded bands. Size: 450mm x 380mm; Weight: 10.8kg Provenance: Prince collection, 1990s-2014; Ex. Christie's 2002, Lot 191. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN BASALT BUST OF A FEMALE PHARAOH. New Kingdom, Ca. 1550 - 1070 BC. A basalt bust of female pharaoh (?) wearing a tripartite wig that frames the face and a wide usekh collar incised across the chest. The facial features are softly modelled, with almond-shaped eyes, a short nose, and a slight smile. The chin is adorned by a fragment of a royal beard. Atop the head rests the pschent crown, uniting the white crown of Upper Egypt and the red crown of Lower Egypt, fronted by a uraeus. A single vertical column of hieroglyphs is engraved on the dorsal pillar. The text read: ' Hathor, Mistess of the Sycamore and of all her places, give...' The figure is mounted on a modern display base. For similar see: Christie's, Live Auction 3403, Antiquities, Lot 29. Size: 260mm x 130mm; Weight: 3.12kg Provenance: Private London collection, acquired on the French art market, 1970s. This piece is accompanied by an authentication statement from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

LARGE EGYPTIAN FAIENCE MODEL OF A BASKET. Third Intermediate Period, Ca. 1069 - 664 BC. A modelled basket made of faience with blue-green glaze and black staining. The domed form is structured with three openwork tiers composed of zigzag-patterned walls and a thick disc base. For similar see: A. Bouquillon, Faïences. Faïences de l'Antiquité. De l'Egypte à l'Iran, exhibition catalogue, Paris, 2005, p. 103; LM Berman, Catalogue of Egyptian Art. The Cleveland Museum of Art, 1999, p. 532, no. 450. Size: 75mm x 50mm; Weight: 90g Provenance: Prince collection, 1990s-2014; Ex. Eric Strobel. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN PAINTED CARTONNAGE. Ca. 664 - 30 BC. A fragment of an Egyptian painted cartonnage mummy panel, decorated in polychrome on a white gessoed surface. The scene shows two figures in profile facing right. On the left is the lion-headed goddess Sekhmet, wearing a long orange garment and a tripartite wig. In front of her stands the frog-headed goddess Heqet, depicted with green skin, extended arms, and a fitted green dress, positioned before an offering table. Size: 145mm x 125mm; Weight: 100g Provenance: Private London collection, acquired on the German art market; Ex. collection of Dr. Karl von Seeger, acquired before 1970. Accompanied by a German Export license. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN HEAD OF AMARNA PRINCESS. Amarna Period, Ca. 1353 - 1336 BC. A sculpted head depicting a female face with softly modelled features, including low-set eyes, a broad nose, and pronounced lips. The head is oval in form with a smooth cranial contour. The surface retains traces of red pigment, and the back is flat and unworked. Size: 60mm x 45mm; Weight: 35g Provenance: Prince collection, 1990s-2014; Ex. Andrea Theim collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN SARCOPHAGUS MASK. Late Period, Ca. 664 - 30 BC. A wooden sarcophagus mask carved in high relief with full cheeks, a prominent nose, and a rounded chin. Large eyes with extended brows and cosmetic lines are painted in black. The surface of the face is finished in a reddish-brown tone, and the flat reverse features multiple attachment points. For similar see: Mask of Coffin of Pekherkhonsu, Kushite Dynasty 25, el-Khokha Tomb, Upper Egypt, Thebes, Metropolitan Museum of Art, Manhattan, New York City, USA. Size: 155mm x 115mm; Weight: 140g Provenance: Private London collection; previously acquired from a Belgian collection (1980s-1990s). This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN WOODEN MASK. Third Intermediate Period, Ca. 1069 - 664 BC. A carved wooden mask depicting a stylised human face with full cheeks, a broad forehead, narrow eyes set beneath gently arched brows, a slender nose, and thin, slightly curved lips. The ears are carved flat and set high on the sides of the head. The reverse is flat. Mounted on a modern base. Size: 250mm x 190mm; Weight: 535g Provenance: Private London collection; previously acquired from a Belgian collection (1980s-1990s). This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN WOODEN MUMMY MASK. New Kingdom, Ca. 1550 - 1069 BC. A wooden mummy mask with a narrow face, prominent chin, straight nose, wide lips, and recessed eye sockets beneath high-modelled brows. The elongated forehead rises into a tall, vertical headdress with rounded corners, pierced at intervals along the sides. Traces of red pigment are preserved on the face, with black detailing accentuating the eyes and brows. For similar see: Christie's Live Auction 1430, Antiquities, Lot. 5. Size: 260mm x 75mm; Weight: 200g france 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

RARE EGYPTIAN MUMMY BANDAGE OF DJEDHOR - BOOK OF THE DEAD. Ca. 4th century BC. A mummy linen bandage with the name of the owner Djedhor, whose mother was called Tadiousir. Inscriptions in hieratic, texts belonging to the Book of the Dead, illustrations of funerary scenes. Framed. Size: 560mm x 360mm; Weight: 2.88kg Provenance: Private UK collection, acquired on the French art market, 1970s. Reviewed by Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN WOODEN FIGURINE OF WOMAN. Middle Kingdom, Ca. 2055 - 1790 BC. A wooden figure of a standing woman with elongated proportions and socketed shoulders for the attachment of separate arms. She wears a long, close-fitting garment extending to the ankles, and her hair is rendered as a black-painted cap with incised curls. The facial features are painted in black and red, with large eyes and arched brows. Mounted on a modern base. For similar see: Christie's, Live Auction, 6060 Antiquities, Lot 15; The Metropolitan Museum of Art, Object Number: 26.3.307. Size: 240mm x 50mm; Weight: 170g Provenance: Private UK collection; formerly in Swinkels Collection, Holland before 2000. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN BICHROME FAIENCE USHABTI. Third Intermediate Period, Ca. 1069 - 664 BC. A bright blue faience ushabti with black details applied to the tripartite wig, facial features, seed bag carried on the back, implements held in hands and a column of hieroglyphic text. Mounted. For similar see: Christie's, Live Auction 7207, Antiquities, Lot 48. Size: 120mm x 40mm; Weight: 90g Provenance: Private London collection, acquired on the German art market; Ex. collection of Dr. Karl von Seeger, acquired before 1970. Accompanied by a German Export license. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN BICHROME FAIENCE USHABTI. Third Intermediate Period, Ca. 1069 - 664 BC. A blue faience ushabti with black details applied to the tripartite wig, facial features, seed bag carried on the back, implements held in hands and a column of hieroglyphic text. Mounted. For similar see: Sotheby's, 7 July 2023, Ancient Sculpture and Works of Art, Lot 213. Size: 115mm x 40mm; Weight: 95g Provenance: Private London collection, acquired on the German art market; Ex. collection of Dr. Karl von Seeger, acquired before 1970. Accompanied by a German Export license. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

EGYPTIAN FAIENCE USHABTHI WITH INSCRIPTION. Late Period, Ca. 664 - 30 BC. A faience mummiform ushabti. The figure wears a tripartite wig with a plaited divine beard and has both arms crossed over the chest, holding implements. The facial features are carefully modelled, and a vertical column of incised hieroglyphic inscription runs down the front of the body. For similar see: Christie's, Live Auction 7207, Antiquities, Lot 66. Size: 125mm x 30mm; Weight: 55g Provenance: Private London collection, acquired on the German art market; Ex. collection of Dr. Karl von Seeger, acquired before 1970. Accompanied by a German Export license. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

RARE EGYPTIAN SERPENTINE COSMETIC JAR. Early Dynastic Period, Ca. 3100 - 2700 BC. A stone lenticular cosmetic jar with a flattened globular body and everted rim. The vessel is carved from finely veined serpentine with irregular black and brown striations across the surface. Size: 45mm x 20mm; Weight: 50g Provenance: Prince collection, 1990s-2014; Ex. Malte & Janie Peters, 16 August, 2010. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.